Overview

My Dear Boy brings a largely unexplored dimension of Langston Hughes to light. Carmaletta Williams and John Edgar Tidwell explain that scholars have neglected the vital role that correspondence between Carrie Hughes and her son Langston—Harlem Renaissance icon, renowned poet, playwright, fiction writer, autobiographer, and essayist—played in his work. The more than 120 heretofore unexamined letters presented here are a veritable treasure trove of insights into the relationship between mother Carrie and her renowned son Langston. Until now, a scholarly consensus had begun to emerge, accepting the idea of their lives and his art as simple and transparent. But as Williams and Tidwell argue, this correspondence is precisely where scholars should start in order to understand the underlying complexity in Carrie and Langston’s relationship. By employing Family Systems Theory for the first time in Hughes scholarship, they demonstrate that it is an essential heuristic for analyzing the Hughes family and its influence on his work. The study takes the critical truism about Langston’s reticence to reveal his inner self and shows how his responses to Carrie were usually not in return letters but, instead, in his created art. Thus My Dear Boy reveals the difficult negotiations between family and art that Langston engaged in as he attempted to sustain an elusive but enduring artistic reputation.

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9780820353852

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Draining, painful letters that are impossible to stop reading bring a new and indelible appreciation of Langston Hughes's personal challenges as a young adult. Brilliant and carefully documented insights by the editors compel new readings of Hughes's works that we mistakenly thought we already understood. The freshest book on Hughes I have seen in a while. --Donna Akiba Sullivan Harper, author of Not So Simple: The Simple Stories by Langston Hughes The book successfully attempts, for the first time, to reveal the ways in which Hughes responded to his mother's letters through his own art rather than through his written replies. . . . While reminiscent of other complicated familial relationships in literature, this title is essential for scholars who are interested in Hughes's work and the Harlem Renaissance. --Pam Kingsbury, Library Journal In this stunning collection of private correspondence to Langston Hughes from his mother, Carrie, Professors Carmaletta M. Williams and John Edgar Tidwell have bestowed a lavish gift on the global audience of a truly global artist. With meticulous scholarship and an unerring sense of biographical proportion, My Dear Boy: Carrie Hughes's Letters to Langston Hughes, 1926-1938 opens the doors to otherwise unseen dimensions of Langston Hughes's most long-lived and most intimate interpersonal bond, freeing us at one turn after another from the accumulated clichEs and oversimplifications that have masked the inner and outer lives of one of our most complex and accomplished writers. --John S. Wright, author of Shadowing Ralph Ellison My Dear Boy . . . is valuable testimony to Carrie's never-ending attempts to manipulate her son. --Hilton Als, The New Yorker My Dear Boy . . . offer[s] the fascinating argument that much of Hughes's poetry of the 1920s and 1930s was written in response to [his mother]. --Lawrence Jackson, Harper's In this stunning collection of private correspondence to Langston Hughes from his mother, Carrie, Professors Carmaletta M. Williams and John Edgar Tidwell have bestowed a lavish gift on the global audience of a truly global artist. With meticulous scholarship and an unerring sense of biographical proportion, My Dear Boy: Carrie Hughes's Letters to Langston Hughes, 1926-1938 opens the doors to otherwise unseen dimensions of Langston Hughes's most long-lived and most intimate interpersonal bond, freeing us at one turn after another from the accumulated clichEs and oversimplifications that have masked the inner and outer lives of one of our most complex and accomplished writers.--John S. Wright author of Shadowing Ralph Ellison Draining, painful letters that are impossible to stop reading bring a new and indelible appreciation of Langston Hughes's personal challenges as a young adult. Brilliant and carefully documented insights by the editors compel new readings of Hughes's works that we mistakenly thought we already understood. The freshest book on Hughes I have seen in a while.--Donna Akiba Sullivan Harper author of Not So Simple: The Simple Stories by Langston Hughes In this stunning collection of private correspondence to Langston Hughes from his mother, Carrie, Professors Carmaletta M. Williams and John Edgar Tidwell have bestowed a lavish gift on the global audience of a truly global artist. With meticulous scholarship and an unerring sense of biographical proportion, My Dear Boy: Carrie Hughes's Letters to Langston Hughes, 1926-1938 opens the doors to otherwise unseen dimensions of Langston Hughes's most long-lived and most intimate interpersonal bond, freeing us at one turn after another from the accumulated clichEs and oversimplifications that have masked the inner and outer lives of one of our most complex and accomplished writers.--John S. Wright author of Shadowing Ralph Ellison Draining, painful letters that are impossible to stop reading bring a new and indelible appreciation of Langston Hughes's personal challenges as a young adult. Brilliant and carefully documented insights by the editors compel new readings of Hughes's works that we mistakenly thought we already understood. The freshest book on Hughes I have seen in a while.--Donna Akiba Sullivan Harper author of Not So Simple: The Simple Stories by Langston Hughes

Author Information

Carmaletta M. Williams (Editor) CARMALETTA M. WILLIAMS, professor of English and African American studies at Johnson County Community College, is the author of Langston Hughes in the Classroom: “Do Nothin’ till You Hear from Me” and Of Two Spirits: American Indian and African American Oral Histories. John Edgar Tidwell (Editor) JOHN EDGAR TIDWELL is a professor of English at the University of Kansas. His previous books include Montage of a Dream: The Art and Life of Langston Hughes, After Winter: The Art and Life of Sterling A. Brown, and Writings of Frank Marshall Davis: A Voice of the Black Press.

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