Musicality in Theatre: Music as Model, Method and Metaphor in Theatre-Making

Author:   David Roesner
Publisher:   Taylor & Francis Ltd
ISBN:  

9781138248380


Pages:   320
Publication Date:   09 September 2016
Format:   Paperback
Availability:   In Print   Availability explained
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Musicality in Theatre: Music as Model, Method and Metaphor in Theatre-Making


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Full Product Details

Author:   David Roesner
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.620kg
ISBN:  

9781138248380


ISBN 10:   113824838
Pages:   320
Publication Date:   09 September 2016
Audience:   College/higher education ,  General/trade ,  Tertiary & Higher Education ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Contents: Introduction: premises and promises; Appia - musicality and the ‘inner essence’; Meyerhold - theatre ‘organized according to the music’s laws; Artaud - the musicality of sound, voice and noise; Writing with your ears - the musicality of playwriting; Theatre and jazz; The eclectic musicality of now; Conclusion: paradoxes of musicality; Bibliography; Index.

Reviews

'This is the first book to chart the history of the musicalization of theatre comprehensively in relation to writers, directors, scenographers, and performers, and it does so with great clarity and authority. ... this book will secure a lasting place not only as a stimulating counter-history of twentieth-century theatre, but also as provocation to rethink the ontology of theatre itself, and the meaning of musicality.' Music and Letters 'Musicality in Theatre will serve as an important source for future studies in musical-theatrical intermediality...' Contemporary Theatre Review


`This is the first book to chart the history of the musicalization of theatre comprehensively in relation to writers, directors, scenographers, and performers, and it does so with great clarity and authority. ... this book will secure a lasting place not only as a stimulating counter-history of twentieth-century theatre, but also as provocation to rethink the ontology of theatre itself, and the meaning of musicality.' Music and Letters `Musicality in Theatre will serve as an important source for future studies in musical-theatrical intermediality...' Contemporary Theatre Review


Author Information

David Roesner is a Professor at Ludwig-Maximilians-Universitãt, Munich, and co-director of the European Theatre Research Network. In 2007 he won the Thurnau Award for Music-Theatre Studies for his article 'The politics of the polyphony of performance'. Recent publications include Theatre Noise (with Lynne Kendrick, 2011) and Composed Theatre (with Matthias Rebstock, 2012).

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