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9781836245094

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Reviews

‘In short, Musical Wordsworth’s exceptionally thorough look at how harmonic listening is treated in the poetry of William Wordsworth invites further consideration of how his conceptual engagements with the ear and sonic phenomena might resonate both with the ideas of his closest contemporaries and with recent theoretical work in sound studies questioning the ethical, environmental, and social dimensions of aurality as a distinctive mode of encounter. As Romantic studies continues to work out how sonic and aural dimensions of the period’s poetics might tap into a complex web of cross-disciplinary intellectual relationships, Musical Wordsworth will be sure to stand as an essential contribution in its assertion of Wordsworth as a theorist of the harmonic imagination.’ Elizabeth Weybright, The Wordsworth Circle

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Yimon Lo is Postdoctoral Fellow at the University of Tübingen and Research Fellow at the University of Leuven.

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