Musical Intimacies and Indigenous Imaginaries: Aboriginal Music and Dance in Public Performance
Author:   Byron Dueck (Lecturer in Music, Lecturer in Music, The Open University, Milton Keynes, UK)
Publisher:   Oxford University Press Inc
ISBN:  

9780199747658


Pages:   272
Publication Date:   05 December 2013
Format:   Paperback
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

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Musical Intimacies and Indigenous Imaginaries: Aboriginal Music and Dance in Public Performance


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Author:   Byron Dueck (Lecturer in Music, Lecturer in Music, The Open University, Milton Keynes, UK)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Dimensions:   Width: 23.10cm , Height: 2.00cm , Length: 15.50cm
Weight:   0.408kg
ISBN:  

9780199747658


ISBN 10:   0199747652
Pages:   272
Publication Date:   05 December 2013
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

"Acknowledgments Chapter 1 Introduction: Publicity, Counterpublicity, Antipublicity Chapter 2 Public and Intimate Sociability in First Nations and Métis Fiddling Chapter 3 ""#1 on NCI"": Country Music and the Aboriginal Public Chapter 4 ""Your Own Heart Will Make its Own Music"": Gospel Singing, Individuation, and the Comforting Community Preface to Chapter 5 Chapter 5 ""We Don't Want to Say No to Anybody Who Wants to Sing"": Gospel Music in Coffee-House Performance Chapter 6 Antipublicity: Family Tradition and the Aboriginal Public Chapter 7 Circulation Controversies Conclusion Bibliography"

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Author Information

Byron Dueck is a lecturer in ethnomusicology at the Open University. He received his PhD in ethnomusicology from the University of Chicago in 2005. His research interests include First Nations and Métis music and dance in North America, popular music in Cameroon, and jazz performance in the United Kingdom. His work in these diverse areas is connected by overarching interests in musical publics, performances of national multiculturalism, and the social implications of rhythm and meter.

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