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Author:   Dorothy Miell (Senior Lecturer in Psychology, The Open University, Milton Keynes, UK) ,  Raymond MacDonald (Reader in Psychology, Glasgow Caledonian University, Glasgow, UK) ,  David J. Hargreaves (Professor of Education, Roehampton University, UK)
Publisher:   Oxford University Press
Imprint:   Oxford University Press
Dimensions:   Width: 15.60cm , Height: 2.60cm , Length: 23.50cm
Weight:   0.648kg
ISBN:  

9780198529361

ISBN 10:   0198529368
Pages:   456
Publication Date:   14 July 2005
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   To order  
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Table of Contents

1: David J. Hargreaves, Raymond MacDonald & Dorothy Miell: How do people communicate using music? 2: Ian Cross: Music and meaning, ambiguity and evolution 3: R. Keith Sawyer: Music and conversation Cognition, Representation and Communication 4: Annabel J. Cohen: Musical cognition: defining constraints on musical communication 5: Patrik N. Juslin: From mimesis to catharsis: expression, perception and induction of emotion in music 6: Margaret Barrett: Representation, cognition and musical communication: invented notation in children's musical communication 7: Jeanne Bamberger: How the conventions of music notation shape musical perception and performance Embodied Communication 8: Michael H. Thaut: Rhythm, human temporality and brain function 9: Gary Ansdell: Musical companionship, musical community: music therapy and the process and value of musical communication 10: Jane Davidson: Bodily communication in musical performance 11: Graham F. Welch: Singing as communication Communication in Learning and Education 12: Margaret Barrett: Musical communication and chnildren's communities of musical practice 13: Susan Young: Musical communication between adults and young children 14: Charles Byrne: Pedagogical communication in the music classroom Cultural Contexts of Communication 15: Raymond MacDonald, Dorothy Miell & Graeme Wilson: Talking about music: a vehicle for identity development 16: Janis McNair & John Powles: Hippies vs hip-hop heads: an exploration of music's ability to communicate an alternative political agenda from the perspective of two divergent musical genres 17: Martin Clayton: Communication in Indian raga performance 18: Scott D. Lipscomb & David E. Tolchinsky: The role of music communication in cinema 19: Adrian C. North & David J. Hargreaves: Musical communication in commercial contexts

Reviews

`Chapters are penned by a sparkling line-up of academic and applied researchers, including music psychologists, therapists and educationalists; consequently it covers a wide variety of perspectives, holding appeal for the musicians, the general public and many breeds of psychologist,' The Psychologist

For anyone interested in music as a form of communication, this book is a reasonably priced paperback worth owning. --Doody's<br>

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