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9780190936471

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A journey through the dancehalls of Panama's heartland, packed with insights, joy, and empathy! After finishing this book, the reader might ask, 'Why didn't I become a jazz pianist and ethnomusicologist? * Peter A. Szok, Texas Christian University * This ambitious book innovatively theorizes the interhemispheric isthmus of Panama as cultural borderland. It deftly weaves historical research, astute musical analysis and fine-grained ethnography into a superb, engaging and impressively grounded study. This pioneering work is long overdue for one of Central America's principal popular musics. * T.M. Scruggs, Professor Emeritus, University of Iowa *

This ambitious book innovatively theorizes the interhemispheric isthmus of Panama as cultural borderland. It deftly weaves historical research, astute musical analysis and fine-grained ethnography into a superb, engaging and impressively grounded study. This pioneering work is long overdue for one of Central America's principal popular musics. * T.M. Scruggs, Professor Emeritus, University of Iowa * A journey through the dancehalls of Panama's heartland, packed with insights, joy, and empathy! After finishing this book, the reader might ask, 'Why didn't I become a jazz pianist and ethnomusicologist? * Peter A. Szok, Texas Christian University *

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Sean Bellaviti is Adjunct Professor at Ryerson University in Toronto, Canada. His research interests include the development of musical nationalism in Panama, genre studies, the political economy of Latin America and Caribbean popular music and dance, and folk music collections in the Americas. More recently, he has embarked on a new research project best described as a social history of Toronto's salsa scene.

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