Music Theory and its Methods: Structures, Challenges, Directions

Author:   Denis Collins
Publisher:   Peter Lang AG
Edition:   New edition
Volume:   7
ISBN:  

9783631616598


Pages:   333
Publication Date:   27 June 2013
Format:   Hardback
Availability:   In Print   Availability explained
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Music Theory and its Methods: Structures, Challenges, Directions


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Overview

This collection of essays explores a wide range of topics current in the field of music theory, including analytical methodologies for pretonal, tonal, and post-tonal music, assessment of notation as a vehicle for interpreting compositional strategies in different repertoires, and employment of approaches informed by cognitive, aesthetic, and ethnomusicological studies of music. Authors reflect critically on challenges within their specific areas of expertise and probe directions in which advances can be made and difficulties overcome. The results of these investigations will benefit readers, from early career researchers to experienced scholars, whose interests not only intersect with the topics presented here but which also encompass broad methodological issues affecting music theory.

Full Product Details

Author:   Denis Collins
Publisher:   Peter Lang AG
Imprint:   Peter Lang AG
Edition:   New edition
Volume:   7
Dimensions:   Width: 14.80cm , Height: 2.50cm , Length: 21.00cm
Weight:   0.540kg
ISBN:  

9783631616598


ISBN 10:   3631616597
Pages:   333
Publication Date:   27 June 2013
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Contents: Rebekah Woodward: Towards New Editing Methods for Transcribing the Polyphonic Notre Dame Conductus Repertory - Luca Bruno: A Methodological Approach Toward the Harmony of Sixteenth-Century Secular Polyphony - Denis Collins: John Bull's Art of Canon and Plainsong-Based Counterpoint in the Late Renaissance - Byron Almen: Toward a Pluralism of Musical Cognitive Processes - Timothy Dwight Edwards: The Sinfonias of J. S. Bach as an Advanced Discourse on Harmony - Dimitar Ninov: Basic Formal Structures in Music: A New Approach - Dennis Cole: Incorporating Transcriptions and Notation: Pedagogical Issues for the World Music Ensemble - Elizabeth Lee: Music, Imagery, Meaning, and Emotion in Hugo Wolf's An eine AEolsharfe . An Analytical Triangulation via Schenkerian Analysis, the Theory of Musical Forces, and Cognitive Metaphor Theory - Simon Perry: Pitch-Notational Analysis: A Basis for an Approach to Understanding Harmonic Thinking in Common-Practice and Post Common-Practice Tonality - Milos Zatkalik: Reconsidering Teleological Aspects of Nontonal Music - Leon Stefanija: Levers of Satire in Twentieth-Century Music.

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Author Information

Denis Collins is Senior Lecturer in Music at the University of Queensland (Australia). He has published widely on the history of music theory, especially contrapuntal processes in Renaissance and Baroque music.

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