Music Technology Panic Narratives Beyond Piracy: From Taping to Napster to TikTok

Author:   David Arditi
Publisher:   Anthem Press
ISBN:  

9781839995941


Pages:   90
Publication Date:   03 March 2026
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Music Technology Panic Narratives Beyond Piracy: From Taping to Napster to TikTok


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Full Product Details

Author:   David Arditi
Publisher:   Anthem Press
Imprint:   Anthem Press
Dimensions:   Width: 15.30cm , Height: 0.60cm , Length: 22.90cm
Weight:   0.134kg
ISBN:  

9781839995941


ISBN 10:   1839995947
Pages:   90
Publication Date:   03 March 2026
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

List Of Figures; Acknowledgments; 1. Introduction: You’Re Killing Music; 2. Tape Cassettes And Blank Cds: Home Taping Is Killing Music; 3. Napster: File-Sharing Is Killing Music; 4. Streaming: User-Generated Video Is Killing Music;5. Conclusion: Record Labels Killed Music; Bibliography; Index

Reviews

“Big Music never lets a serious crisis go to waste. This compelling history of corporate storytelling guides us through four decades of recorded music’s moral panics. With characteristic iconoclasm, and an analytic scalpel that cuts through industry myth, Arditi reveals how fears are weaponized to manage transformation.” —Toby Bennett, Senior Lecturer in Media, Culture and Organization, School of Media and Communications, University of Westminster, UK; Author of Corporate Life in the Digital Music Industry: Remaking the Major Record Label from the Inside Out. “In this book, David Arditi thoroughly excoriates the panic narratives emanating from the major music companies. In doing so, he reveals how these loud voices use their power to distract music fans from what is really going on, and what is really happening is that musicians continue to be grossly underpaid for their musical labour. This book is essential reading for anyone interested in the future of music.” —Dr. Sally Anne Gross, University of Westminster, Harrow Campus, UK. “This book expertly traces the recent history of perceived threats to the recorded music industry, from home taping in the 1980s to the recent debates around AI. It challenges embedded narratives on copyright and ownership, while also encouraging discussion of the legal terminology employed in public discourse.” —James Hannam, Course Leader, BA (Hons) Music Business, Southampton Solent University, UK.


Author Information

Dr. David Arditi is a professor of sociology at the University of Texas at Arlington where he serves as the director of the Center for Theory.

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Latest Reading Guide

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