Overview
This unique anthology assembles primary documents chronicling the development of the phonograph, film sound, and the radio. These three sound technologies shaped Americans' relation to music from the late nineteenth century until the end of the Second World War, by which time the technologies were thoroughly integrated into everyday life. There are more than 120 selections between the collection's first piece, an article on the phonograph written by Thomas Edison in 1878, and its last, a column advising listeners desirous of gaining more from music as presented by the radio. Among the selections are articles from popular and trade publications, advertisements, fan letters, corporate records, fiction, and sheet music. Taken together, the selections capture how the new sound technologies were shaped by developments such as urbanization, the increasing value placed on leisure time, and the rise of the advertising industry. Most importantly, they depict the ways that the new sound technologies were received by real people in particular places and moments in time.
Full Product Details
Author: Timothy D Taylor (Timothy D. Taylor, University of California, Los Angeles, USA) ,
Professor and Chair Department of Music Mark Katz (University of North Carolina at Chapel Hill) ,
Tony Grajeda ,
Timothy D Taylor (Timothy D. Taylor, University of California, Los Angeles, USA)
Publisher: Duke University Press
Imprint: Duke University Press
ISBN: 9781280879760
ISBN 10: 1280879769
Pages: 428
Publication Date: 01 January 2012
Audience:
General/trade
,
General
Format: Electronic book text
Publisher's Status: Active
Availability: Available To Order
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Reviews
Measuring the cultural importance and metaphysical weirdness of that change is part of the project of Music, Sound, and Technology in America, an anthology of fascinating artifacts whose prosaic title belies its insights into the early years of the recorded-sound era. . . . [T]he editors of Music, Sound, and Technology in America exhibit a canny ear for the electrifying echoes between then and now. - Andy Battaglia, Wall Street Journal
Author Information
Timothy D. Taylor is Professor of Ethnomusicology and Musicology at the University of California, Los Angeles. He is the author of The Sounds of Capitalism: Advertising, Music, and the Conquest of Culture and Beyond Exoticism: Western Music and the World, which is also published by Duke University Press.Mark Katz is Associate Professor of Music at the University of North Carolina, Chapel Hill. He is the author of Capturing Sound: How Technology Has Changed Music and Groove Music: The Art and Culture of the Hip-Hop DJ. Tony Grajeda is Associate Professor of Cultural Studies in the Department of English at the University of Central Florida. He is an editor of Lowering the Boom: Critical Studies in Film Sound.
