Music, Sound and Space: Transformations of Public and Private Experience

Author:   Georgina Born (University of Oxford)
Publisher:   Cambridge University Press
ISBN:  

9780511675850


Publication Date:   05 February 2013
Format:   Undefined
Availability:   Available To Order   Availability explained
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Music, Sound and Space: Transformations of Public and Private Experience


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Overview

Music, Sound and Space is the first collection to integrate research from musicology and sound studies on music and sound as they mediate everyday life. Music and sound exert an inescapable influence on the contemporary world, from the ubiquity of MP3 players to the controversial use of sound as an instrument of torture. In this book, leading scholars explore the spatialisation of music and sound, their capacity to engender modes of publicness and privacy, their constitution of subjectivity, and the politics of sound and space. Chapters discuss music and sound in relation to distinctive genres, technologies and settings, including sound installation art, popular music recordings, offices and hospitals, and music therapy. With international examples, from the Islamic soundscape of the Kenyan coast, to religious music in Europe, to First Nation musical sociability in Canada, this book offers a new global perspective on how music and sound and their spatialising capacities transform the nature of public and private experience.

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Author:   Georgina Born (University of Oxford)
Publisher:   Cambridge University Press
Imprint:   Cambridge University Press (Virtual Publishing)
ISBN:  

9780511675850


ISBN 10:   0511675852
Publication Date:   05 February 2013
Audience:   Professional and scholarly ,  Professional and scholarly ,  Professional & Vocational ,  Professional & Vocational
Format:   Undefined
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

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Georgina Born is Professor of Music and Anthropology at the University of Oxford. Formerly Professor of Sociology, Anthropology and Music at the University of Cambridge, she is currently directing the international research programme 'Music, Digitisation, Mediation: Towards Interdisciplinary Music Studies', funded by The European Research Council. Her publications include Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde (1995), Western Music and Its Others: Difference, Representation and Appropriation in Music (edited with D. Hesmondhalgh, 2000), Uncertain Vision: Birt, Dyke and the Reinvention of the BBC (2005) and the forthcoming Interdisciplinarity: Reconfigurations of the Social and Natural Sciences (edited with A. Barry).

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