Music, Sound, and Documentary Film in the Global South

Author:   Christopher L. Ballengee, Anne Arundel Community Co ,  Andre Bagoo ,  Miki Brunou ,  Lucas Izquierdo
Publisher:   Lexington Books
ISBN:  

9781666902952


Pages:   194
Publication Date:   01 November 2022
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Music, Sound, and Documentary Film in the Global South


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Author:   Christopher L. Ballengee, Anne Arundel Community Co ,  Andre Bagoo ,  Miki Brunou ,  Lucas Izquierdo
Publisher:   Lexington Books
Imprint:   Lexington Books/Fortress Academic
Dimensions:   Width: 15.90cm , Height: 1.70cm , Length: 23.80cm
Weight:   0.445kg
ISBN:  

9781666902952


ISBN 10:   1666902950
Pages:   194
Publication Date:   01 November 2022
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Introduction: Being Heard: Music, Sound, and Documentary Film in the Global South Christopher L. Ballengee Chapter 1. Helping a Nation to Know Itself: Postcolonial Identity and Sonic Horizons at Films Division India, 1950–1975 Rounak Maiti Chapter 2. Invisible Architecture, Radical Ethnography: Juan Downey and the Sound of Laughter Michael Newell Witte Chapter 3. Drum Making as a Way of Life in South-Central Uganda: A Filmic Approach Damascus Kafumbe Chapter 4. Narrating a Revolutionary Life through Song: Personal, Political, and Musical Choices in Making Singing a Great Dream Anna Stirr and Bhakta Syangtan Chapter 5. Beyond the Visual: The Use of Sound in Tales from Our Childhood Rajesh James and Malavika Pillai Chapter 6. Lodes of Metal: The Texture and Sound of Memory in Latin American Heavy Metal Documentaries Daniel Nevárez Araújo and Nelson Varas-Díaz Chapter 7. Framing the Future: The Take, Nine Queens, and Argentina’s Neoliberal Soundscapes Yovanna Pineda and Lucas Izquierdo Chapter 8. Under the Amazon Sun: Musical Composition, Filmic Form, and Encounters of History and the Everyday in Antonio Wong Rengifo’s Chronotopias of the Peruvian Amazon Aleksander Sedzielarz Chapter 9. Aural Identities: Auditive Representations of Ethnicity in Documentary Film Miki Brunou Chapter 10. Only Connect: Two Trinidads, Two Documentaries Andre Bagoo About the Contributors

Reviews

""The essays in this edited volume explore several intersecting terrains associated with the current renaissance of documentary filmmaking occurring globally. They highlight the significance of music and soundscapes in documentary film, showcase the testimonies and interpretations of filmmakers themselves about their art and craft, and focus on a range of issues relevant to current trends in Global South studies. This work is thus a much-needed and welcome addition to documentary film scholarship in the twenty-first century."" -- Frank Gunderson, Florida State University


The essays in this edited volume explore several intersecting terrains associated with the current renaissance of documentary filmmaking occurring globally. They highlight the significance of music and soundscapes in documentary film, showcase the testimonies and interpretations of filmmakers themselves about their art and craft, and focus on a range of issues relevant to current trends in Global South studies. This work is thus a much-needed and welcome addition to documentary film scholarship in the twenty-first century. -- Frank Gunderson, Florida State University


"""The essays in this edited volume explore several intersecting terrains associated with the current renaissance of documentary filmmaking occurring globally. They highlight the significance of music and soundscapes in documentary film, showcase the testimonies and interpretations of filmmakers themselves about their art and craft, and focus on a range of issues relevant to current trends in Global South studies. This work is thus a much-needed and welcome addition to documentary film scholarship in the twenty-first century."" -- Frank Gunderson, Florida State University"


Author Information

Christopher L. Ballengee is an ethnomusicologist based in Poland, where he works as an academic editor and English teacher. He is director of the feature-length documentary film Sweet Tassa: Music of the Indian Caribbean Diaspora (2019) and author of numerous articles on music in Trinidad and Tobago.

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