Music of the Baroque: An Anthology of Scores

Author:   David Schulenberg (Professor, Professor, Wagner College, Staten Island, USA)
Publisher:   Oxford University Press Inc
Edition:   3rd Revised edition
ISBN:  

9780199942022


Pages:   320
Publication Date:   24 October 2013
Format:   Paperback
Availability:   To order   Availability explained
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Music of the Baroque: An Anthology of Scores


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Overview

A companion volume to David Schulenberg's textbook, Music of the Baroque, Third Edition, this anthology features frequently studied works by such celebrated Baroque composers as Bach, Handel, and Monteverdi together with compositions by lesser-known composers like Elizabeth-Claude Jacquet de La Guerre. Each score is accompanied by commentaries on performance practice and other vital matters. All scores and commentaries have been checked and updated for the third edition of Music of the Baroque: An Anthology of Scores, which includes new editions of compositions by Cavalli, Scarlatti, Charpentier, Carissimi, and Rameau. Offering an unparalleled portrait of European music from 1600 through 1750, the collection is an ideal instructional package for courses in the history of Baroque music.Visit the companion website at www.oup.com/us/schulenberg for a discography of the scores included in the anthology (with links to online recordings), sample worksheets, and supplementary musical scores

Full Product Details

Author:   David Schulenberg (Professor, Professor, Wagner College, Staten Island, USA)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Edition:   3rd Revised edition
Dimensions:   Width: 21.60cm , Height: 1.50cm , Length: 27.70cm
Weight:   0.771kg
ISBN:  

9780199942022


ISBN 10:   0199942021
Pages:   320
Publication Date:   24 October 2013
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

"Preface: 1. Giovanni Pierluigi da Palestrina: Dum complerentur (motet) 2. Orlande de Lassus: Timor et tremor (motet) 3. Claudio Monteverdi: Luci serene (madrigal) 4. Giulio Caccini: Sfogava con le stelle (continuo madrigal) 5. Claudio Monteverdi: Orfeo, Act 2 (opera: selections) a. Sinfonia and two arias: ""Ecco pur ch'a voi ritorno"" and ""Mira ch'a se n'alletta"" b. ""Mira, deh mira Orfeo"" through chorus, ""Ahi, caso acerbo"" 6. Pier Francesco Cavalli: Calisto (opera: selections) a. Act 1, scenes 4-5 (""Non è maggior piacere"") b. Act 1, scene 11 (""Piangete, sospirate"") 7. Barbara Strozzi: Ardo in tacito foco (cantata or strophic aria) 8. Alessandro Scarlatti: Correa nel seno amato (cantata: selections) a. Sinfonia b. Aria ""Fresche brine"" c. Recitative ""Ma voi, occhi dolenti"" and aria ""Onde belle"" 9. Henry Purcell: From Rosy Bowers (cantata) 10. Jean-Baptiste Lully: Armide (opera: selections) a. Overture b. Act 2, scene 5 (recitative ""Enfin, il est en ma puissance"" and air ""Venez, secondez mes désirs"") 11. Giovanni Gabrieli: In ecclesiis (concertato motet) 12. Heinrich Schütz: Saul, Saul, was verfolgst du mich? , SWV 415 (concertato motet) 13. Giacomo Carissimi: Jephte (oratorio: selections) a. ""Cum autem victor Jephte"" b. ""Cum vidisset Jepthe"" c. ""Plorate, filii Israel"" 14. Marc-Antoine Charpentier: Frigidae noctis umbra H. 414 (oratorio: first half) 15. George Frideric Handel: Orlando (opera: selections) a. Act 1, scene 8 (recitative and aria ""O care parolette"") b. Act 1, scene 9 (recitative and aria ""Se fedel vuoi"") c. Act 1, scene 10 (recitative and aria ""Fammi combattere"") 16. Jean-Philippe Rameau: Les indes galantes (opéra-ballet: selections) a. Nouvelle (quatrième) entrée, scene 3 (beginning) b. Nouvelle (quatrième) entrée, from scene 6 17. Johann Sebastian Bach: Herr Jesu Christ, wahr'r Mensch und Gott, BWV 127 (sacred cantata) 18. George Frideric Handel: Jephtha (English oratorio: selections) a. From Part 2, scene 3 (recitative and aria ""Open thy marble jaws"") b. From Part 2, scene 4 (chorus ""How dark, O Lord"") 19. Ennemond Gaultier, Pieces for Lute a. Courante ""L'immortelle"" b. Allemande (Tombeau de Mesangeau) c. Gigue ""La Poste"" 20. Girolamo Frescobaldi, Toccata 7 from Libro II 21. Elizabeth-Claude Jacquet de La Guerre, Suite 3 in A minor (selections) a. Prélude b. Allemande c. [1ère] Courante d. Sarabande e. Gigue 22. Dieterich Buxtehude: Praeludium in A minor, BuxWV 153 23. Johann Sebastian Bach: Prelude and Fugue in G, BWV 860, from The Well-Tempered Clavier, Part 1 24. Jean Henry d'Anglebert, François Couperin, and Jean-Philippe Rameau: Extracts from ornament tables 25. François Couperin: Vingt-unième ordre (keyboard suite: selections) a. La reine des curs b. La Couperin 26. Salamone Rossi: Sonata sopra La Bergamasca 27. Biagio Marini: Sonata variata for violin and continuo 28. Heinrich Ignaz Franz Biber: Sonata 5 in E minor for violin and continuo (1681) 29. Arcangelo Corelli: Sonata in C for violin and continuo, op. 5, no. 3 30. Giuseppe Torelli: Sinfonia in D for trumpet, strings, and continuo, G. 8 31. Arcangelo Corelli: Concerto grosso in G minor, op. 6, no. 8, ""Christmas"" 32. Antonio Vivaldi: Concerto in E for violin, strings, and continuo, op. 3, no. 12 (R. 265) 33. Johann Sebastian Bach: Brandenburg Concerto no. 2 in F, BWV 1047"

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David Schulenberg, Professor, Wagner College, USA

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