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Author:   Peter Kivy (Rutgers University, The State University of New Jersey)
Publisher:   Oxford University Press
Imprint:   Clarendon Press
Dimensions:   Width: 14.50cm , Height: 2.00cm , Length: 22.30cm
Weight:   0.454kg
ISBN:  

9780199217663

ISBN 10:   0199217661
Pages:   260
Publication Date:   31 May 2007
Audience:   College/higher education ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active
Availability:   To order  
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Table of Contents

Preface Part I: History 1: Mainwaring's Handel: Its Relation to British Aesthetics 2: Herbert Spencer and a Musical Dispute Part II: Opera 3: Handel's Operas: The Form of Feeling and the Problem of Appreciation 4: Anti-Semitism in Meistersinger 5: Speech, Song, and the Transparency of Medium: On Operatic Metaphysics 6: Music in the Movies: A Philosophical Inquiry Part III: Performance 7: On the Historically Informed Performance 8: Ars perfecta: Toward Perfection in Musical Performance? Part IV: Interpretation 9: Another Go at the Meaning of Music: Koopman, Davies, and the Meanings of 'Meaning' 10: Another Go at Musical Profundity: Stephen Davies and the Game of Chess 11: From Ideology to Music: Leonard Meyer's Theory of Style Change 12: Sibley's Last Paper 13: In Defense of Musical Representation: Music, Representation, and the Hybrid Arts 14: Music, Language, and Cognition: Which Doesn't Belong? Bibliography Index

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