Music in Trinidad: Carnival: Experiencing Music, Expressing Culture

Author:   Shannon Dudley (Assistant Professor of Music, University of Washington) ,  Bonnie C. Wade (Chambers Chair in Music at University of California, Berkeley and Patricia S. Campbell Professor of Music, University of Washington)
Publisher:   Oxford University Press Inc
Volume:   Vol. 2
ISBN:  

9780195138337


Pages:   128
Publication Date:   01 November 2003
Format:   Mixed media product
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

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Music in Trinidad: Carnival: Experiencing Music, Expressing Culture


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Author:   Shannon Dudley (Assistant Professor of Music, University of Washington) ,  Bonnie C. Wade (Chambers Chair in Music at University of California, Berkeley and Patricia S. Campbell Professor of Music, University of Washington)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Volume:   Vol. 2
Dimensions:   Width: 13.90cm , Height: 0.80cm , Length: 20.90cm
Weight:   0.199kg
ISBN:  

9780195138337


ISBN 10:   0195138333
Pages:   128
Publication Date:   01 November 2003
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Mixed media product
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

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Shannon Dudley clearly grasps an essential point of calypso and Carnival in this fine little book, and that is that through tradition the people of Trinidad - at least Carnival devotees- are continuously asserting and reformulating their individual and social identities by signing, playing, and acting out masquerades. This compact handbook is good for students who want to begin the arcane journey into Trinidadian Carnival music. --<em>Donald R. Hill, State University of New York</em>


Shannon Dudley clearly grasps an essential point of calypso and Carnival in this fine little book, and that is that through tradition the people of Trinidad - at least Carnival devotees- are continuously asserting and reformulating their individual and social identities by signing, playing, and acting out masquerades. This compact handbook is good for students who want to begin the arcane journey into Trinidadian Carnival music. --Donald R. Hill, State University of New York<br>


Shannon Dudley clearly grasps an essential point of calypso and Carnival in this fine little book, and that is that through tradition the people of Trinidad - at least Carnival devotees- are continuously asserting and reformulating their individual and social identities by signing, playing, and acting out masquerades. This compact handbook is good for students who want to begin the arcane journey into Trinidadian Carnival music. --Donald R. Hill, State University of New York


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