Music in the Hebrew Bible: Understanding References in the Torah, Nevi'im and Ketuvim

Author:   Jonathan L. Friedmann
Publisher:   McFarland & Co Inc
ISBN:  

9780786477739


Pages:   216
Publication Date:   04 November 2013
Recommended Age:   From 18 years
Format:   Paperback
Availability:   Available To Order   Availability explained
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Music in the Hebrew Bible: Understanding References in the Torah, Nevi'im and Ketuvim


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Full Product Details

Author:   Jonathan L. Friedmann
Publisher:   McFarland & Co Inc
Imprint:   McFarland & Co Inc
Dimensions:   Width: 15.20cm , Height: 1.10cm , Length: 22.90cm
Weight:   0.308kg
ISBN:  

9780786477739


ISBN 10:   0786477733
Pages:   216
Publication Date:   04 November 2013
Recommended Age:   From 18 years
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

Table of Contents

Preface Introduction Part One: Background  1. Music All Around  2. A Silent Source  3. The Ethos of Song  4. Instruction and Inspiration  5. Institutions of Song  6. A Human Need  7. Ceremonial Tones  8. Vessels of Song  9. Is It Music? 10. Dancing into Being 11. The Purposes of Cantillation 12. Chant and Revelation 13. Not Music Alone 14. Songs and Sacrifice 15. Necessary Songs 16. Words and Music 17. A Musical Heart 18. Singing About Singing 19. The Divine Musician 20. Work Songs 21. ­Proto-­Cantors 22. New Year’s Noise 23. The Human Family 24. Dancing with Torches 25. Defending the Organ Part Two: Torah—Pentateuch 26. All the Music of the Torah 27. Ordered Sound 28. Words, Words, Words 29. Singing Souls 30. Melodic Beginnings 31. A Musical Species 32. Musical Departures 33. God of the Philosophers 34. The Invisible Art 35. Inventing Hymns 36. A Musical ­Back-­and-­Forth 37. Effect and Belief 38. Miriam’s Song 39. Singing the Self 40. Music and Iconoclasm 41. Song of the Calf 42. Keeping Shabbat 43. Noisy Vestments 44. Distinguishing Sounds 45. How Goodly 46. Hearing the Holy 47. From Stutter to Song 48. Sabbath Peace 49. Table Songs Part Three: Nevi’im—Prophets 50. Bad Vibrations 51. Terrifying Tones 52. Dancing with Timbrels 53. Fanfares 54. Music, Magic and Manipulation 55. Music Hidden and Revealed 56. Beauty and Function 57. Sacred Perception 58. Simulating Silence 59. Composing Legends 60. Performing Poetry 61. The Silent Treatment 62. Collective Healing 63. Surprising Sounds 64. Musical Prophets 65. Music as Rhetoric 66. Parties and Piety Part Four: Ketuvim—Writings 67. The Significance of Song 68. Temple Sounds 69. The Myth of Musical Purity 70. Persuasive Tones 71. Textual Tension 72. Everybody Sings 73. Theurgy and Concentration 74. ­Public-­Private ­Prayer-­Song 75. Psalms of Thanksgiving 76. The Thanksgiving Impulse 77. Musical Maccabees 78. A Musical Remedy 79. Selah 80. A Virtuoso in the Temple Choir 81. Enter in Song 82. Tuneful Bones 83. Loving Love Songs 84. Instrument of Joy 85. Songs in High Places  86. Particular and Universal  87. Musical Awakening  88. Liturgy and Leftovers  89. Hallelujah  90. Fear the Music  91. Sound and Circumstance  92. Sonorous Revelation  93. Survival and the Song of Songs  94. Sing an Old Song  95. Ritual Reenactmant  96. Sound Science  97. A Singing Community  98. Ear of the Beholder  99. In Song and War 100. Songs of Derision Appendix: Resources in Jewish Musicology Bibliography Index

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Author Information

Jonathan L. Friedmann is a professor of Jewish music history at the Academy for Jewish Religion California, extraordinary professor of theology at North-West University (NWU), South Africa, and a research fellow at NWU in musical arts in South Africa: resources and applications. He is the author, editor, or compiler of 19 books on music and religion. Visit his website at jonathanfriedmann.com.

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