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Full Product Details

Author:   Stephen Meyer (University of Cincinnati, USA) ,  Neil Lerner
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Dimensions:   Width: 15.20cm , Height: 1.80cm , Length: 22.90cm
Weight:   0.386kg
ISBN:  

9781138915831

ISBN 10:   1138915831
Pages:   244
Publication Date:   12 September 2016
Audience:   College/higher education ,  Postgraduate, Research & Scholarly ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

"Series Foreword Preface: Epic Genre, Epic Style Stephen C. Meyer Acknowledgments Part I: Marketing and Production 1. Branding the Franchise: Music and the (Corporate) Myth of Origin James Buhler 2. Manufacturing the Epic Score: Hans Zimmer and the Sounds of Significance Frank Lehman Part II: Narrative and Interpretation 3. Topoi and Intertextuality: Narrative Function in Hans Zimmer’s and Lisa Gerrard’s Music to Gladiator Joakim Tillman 4. The Politics of Authenticity in Miklós Rózsa's Score to El Cid Stephen C. Meyer Part III: Pre-Existing Music and the Epic Style 5. From Authenticity to Anachronism: Pre-Existing Music and ""Epic Englishness"" in Elizabeth and Master and Commander Alexandra Wilson 6. Records, Repertoire and Rollerball: Music and the Auteur Epic Julie Hubbert Part IV: Songs and Themes 7. ""The epic and intimately human"": Contemplating Tara’s Theme in Gone With the Wind Nathan Platte 8. ""We’re the real countries"": Songs as Private Musical Territories in the Epic Romances Casablanca, Doctor Zhivago, and The English Patient Todd Decker Part V: Genre and the (Anti-)Epic 9. Inverting the Epic: The Music of Ridley Scott’s Kingdom of Heaven Kirsten Yri 10. The Western as National Epic: Musical Persona and Narrative Distance in High Noon Jordan Carmalt Stokes"

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Author Information

Stephen C. Meyer is Associate Professor of Musicology at the University of Cincinnati.

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