Full Product Details
Author: Jane D. Hatter (University of Utah)
Publisher: Cambridge University Press
Imprint: Cambridge University Press
Dimensions:
Width: 17.90cm
, Height: 1.80cm
, Length: 25.30cm
Weight: 0.770kg
ISBN: 9781108474917
ISBN 10: 1108474918
Pages: 298
Publication Date: 02 May 2019
Audience:
Professional and scholarly
,
Professional & Vocational
Format: Hardback
Publisher's Status: Active
Availability: Available To Order
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Reviews
This is a wonderful book with a clear and convincing central claim. Jane Hatter's engagement with primary sources and recent scholarly literature on music, art, and cultural history displays highly original thought and will give scholars a fresh perspective on what they thought they knew. David J. Rothenberg, Case Western Reserve University Composing Community is the first book-length study to explore a pivotal paradigm shift in European music history - the decades around 1500 when composers became self-conscious professionals both individually and as a group. Jane Hatter explores the ways in which this self-consciousness began to express itself in individual works. Her fascinating study deftly disentangles the various musical, social and cultural strands in this complex process and provides essential reading for every student of the musical Renaissance. Wolfgang Fuhrmann, Universitat Leipzig
'This is a wonderful book with a clear and convincing central claim. Jane D. Hatter's engagement with primary sources and recent scholarly literature on music, art, and cultural history displays highly original thought and will give scholars a fresh perspective on what they thought they knew.' David J. Rothenberg, Case Western Reserve University, Ohio 'Composing Community in Late Medieval Music is the first book-length study to explore a pivotal paradigm shift in European music history - the decades around 1500 when composers became self-conscious professionals both individually and as a group. Jane D. Hatter explores the ways in which this self-consciousness began to express itself in individual works. Her fascinating study deftly disentangles the various musical, social and cultural strands in this complex process and provides essential reading for every student of the musical Renaissance.' Wolfgang Fuhrmann, Universitat Leipzig
Author Information
Jane D. Hatter is an assistant professor of musicology at the University of Utah. Her research delves into the musical communities that developed around fifteenth- and sixteenth-century music, including musical self-reference and intersections between music and the visual arts. Her examination of musical time and sexuality in early sixteenth-century Italian paintings is one of the five most read articles in the Oxford journal Early Music.
