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OverviewSt. Pierre examines strategies of representing British music hall performance and the performance of the body in British cinema in the silent era and the sound era. The focus is on films of Fred and Joe Evans, Frank Randle, Will Hay, George Formby,Arthur Lucan and Kitty McShane, Cicely Courtneidge, Jessie Matthews, Norman Evans, Max Miller, Stanley Holloway, Jack Warner, Gracie Fields, and Charles Chaplin. Consideration is given to themes such as war propaganda and gender impersonation. Full Product DetailsAuthor: Paul Matthew St. PierrePublisher: Associated University Presses Imprint: Fairleigh Dickinson University Press Dimensions: Width: 16.70cm , Height: 2.10cm , Length: 24.70cm Weight: 0.510kg ISBN: 9781611473995ISBN 10: 1611473993 Pages: 262 Publication Date: 01 April 2009 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsAuthor InformationPaul Matthew St. Pierre is associate professor of English at Simon Fraser University, Vancouver. Tab Content 6Author Website:Countries AvailableAll regions |
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