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Full Product Details

Author:   Barbara L. Kelly ,  Christopher Moore (Royalty Account) ,  Barbara L. Kelly ,  Christopher Moore (Royalty Account)
Publisher:   Boydell & Brewer Ltd
Imprint:   The Boydell Press
Dimensions:   Width: 15.60cm , Height: 2.50cm , Length: 23.40cm
Weight:   0.674kg
ISBN:  

9781783272518

ISBN 10:   1783272511
Pages:   358
Publication Date:   15 June 2018
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Introduction: The Role of Criticism in Interwar Musical Culture - Christopher Moore and Barbara L. Kelly Music Criticism and Aesthetics during the Interwar Period: Fewer Crimes and More Punishments - Michel Duchesneau Nostalgia and Violence in the Music Criticism of L'Action française - Christopher Moore Charles Koechlin: The Figure of the Expert - Philippe Cathé Bleu-horizon Politics and Music for Radio Listeners: L'Initiation à la musique (1935) - Jann Pasler Common Canon, Conflicting Ideologies: Music Criticism in Performance in Interwar France - Barbara L. Kelly Arthur Honegger: Music Critic for Musique et Théâtre (1925-1926) - Pascal Lécroart A Woman's Critical Voice: Nadia Boulanger and Le Monde musical, 1919-1923 - Kimberly Francis From a Foreign Correspondent: the Parisian Chronicles of Alejo Carpentier - Caroline Rae Debussy's 'Reputational Entrepreneurs': Vuillermoz, Koechlin, Laloy, and Vallas - Marianne Wheeldon The Legacy of War: Conceptualising Wartime Musical Life in the Post-War Musical Press, 1919-1920 - Rachel Moore Jacinthe Harbec, Satie, Relâche and the Press: Controversies and Legacy - Jacinthe Harbec Creating a Canon: Émile Vuillermoz's Musiques d'aujourd'hui and French Musical Modernity - Danick Trottier Bibliography

Reviews

Useful to anyone seeking an overview of the facts relating to music criticism in the interwar period. REVUE DE MUSICOLOGIE

Author Information

BARBARA L. KELLY is Professor of Music, University of Leeds BARBARA L. KELLY is Professor of Music, University of Leeds KIMBERLY FRANCIS is an associate professor of music at the University of Guelph, Canada. RACHEL MOORE is Lecturer in Music, Cardiff University.

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