Overview

The need for a research volume on European theatre music and sound is almost self-evident. Musical and sonic practices have been an integral part of theatre ever since the artform was first established 2,500 years ago: not just in subsequent genres that are explicitly driven by music, such as opera, operetta, ballet, or musical theatre, but in all kinds of theatrical forms and conventions. Conversely, academic recognition of the role of theatre music, its aesthetics, creative processes, authorships, traditions, and innovations is still insufficient. This volume unites experts from different disciplines and backgrounds to make a significant contribution to the much-needed discourse on theatre music. The term itself is a shapeshifter that signifies different phenomena at different times: the book thus deliberately casts a wide net to explore both the highly contextual terminologies and the many ways in which different times and cultures understand ‘theatre music’. By treating theatre music as a practice, focusing on its role in creating and watching performances, the book appeals to a wide range of readerships: researchers and students of all levels, journalists, audiences, and practitioners. It will be useful to universities and conservatoires alike and relevant for many disciplines in the humanities.

Full Product Details

Author:   David Roesner ,  Tamara Yasmin Quick
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
ISBN:  

9781032675114

ISBN 10:   103267511
Pages:   322
Publication Date:   29 November 2024
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Forthcoming
Availability:   Not yet available  
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Table of Contents

List of Contributors Acknowledgements Introduction Part 1. Setting the Scene What is Theatre Music? More Connecting than Dividing Features? On Historical Precedents of Contemporary Theatre Music Part 2. Theatre Music and Musical Heritages in Transition ‘For your time draweth fast, if ye will saved be’ – Ephemerality, Materiality, and the Challenges of Archiving the Theatre Music of the Play Jedermann Kilam as Theatre Music in Kurdish Theatre in Turkey Ways of Listening: Maqam Music on the Contemporary Stage Mixtape Dramaturgy. The Case of Jan Klata Part 3. Theatre Music and / as Performance Theatre Music as Theatrical Scene – Reflections on a ‘Disciplinary Dilemma’ Staging (Theatre) Music Reception: Voicing Unacoustics in Sophocles’ Trackers More Than Unseen Sounds – Foley on Stage. Performing Live Sound Effects as Musico-Theatrical Practice Part 4. Theatre Music and / as Experience Overwhelmed by Sound? Staged Effects of Sound and Music on the Audience The Tempest (2016) at the Royal Shakespeare Company: Music and Sound in a Literary Theatre At the Interface of ‘Theatre Music’ and ‘Music Theatre’. An Analysis of the Joint Works of Ulrich Rasche and Monika Roscher The Relationship between Storytelling and Sound Experience in Theatre for Young Audiences Part 5. Theatre Music Between and Beyond Genres Performance Worlds? Reflections on Music Theatre Scenes Formerly Called Diegetic Inside Yellow Sound and the Vibrations of the Audience’s Soul Narrating Exilic Stories through Composed Atmospheres: A Cognitive-Narratological Investigation of Music in Singulière Odyssée Part 6. Theatre Music and Training An Ethnographic Account of Learning and Training Theatre Music in the Czech and Slovak Independent Theatre Scene The Shaping of “Good Sound” in Handbooks for Theatre Sound Creation Index

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Author Information

David Roesner is Professor for Theatre and Music Theatre at the LMU Munich, Germany. Tamara Yasmin Quick works as a Munich-based dramaturg, lecturer, associate researcher, and project coordinator at various academic and artistic institutions.

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