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OverviewFull Product DetailsAuthor: Katherine O'CallaghanPublisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.740kg ISBN: 9781138285651ISBN 10: 113828565 Pages: 296 Publication Date: 24 January 2018 Audience: College/higher education , Tertiary & Higher Education , Undergraduate Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents"Table of Contents 1. Woolf Rewriting Wagner: The Waves and Der Ring Des Nibelungen Emma Sutton, University of St Andrews, UK 2. ""That’s the Music of the Future"": Joyce, Modernism and the ""Old Irish Tonality"" Katherine O’Callaghan, Mount Holyoke College, USA 3. The Ring, The Waves and the Wake: Eternal Recurrence in Wagner, Woolf and Joyce Jamie McGregor, Rhodes University, South Africa 4. Musicality in Ford Madox Ford’s Parade's End: Towards Modernity Isabelle Brasme, University of Nîmes (Unîmes) and EMMA (Université Paul Valéry Monptellier 3) France 5. The (R)evolution of Olive Moore: Fugue as Bridge to a New Feminist Awakening. Renée Dickinson, Bellevue College, USA 6. A Strict Arrangement: Thomas Mann, Doctor Faustus, and the Kretzschmar Lectures Maria Kager, Utrecht University, Netherlands 7. Sounding Bodies: Eroticized Music-Making in Proust’s À la Recherche Axel Englund, Stockholm University, Sweden 8. Rabindranath Tagore and Musical Modernity in Early Twentieth-Century Bengal Suddhaseel Sen, Presidency College, Kolkata, India 9. Words for Music Perhaps: W. B. Yeats, Music and Meaninglessness. Adrian Paterson, National University of Ireland, Galway, Ireland 10. ""The way to learn the music of verse is to listen to it"": Ezra Pound’s The Pisan Cantos and the ""Sequence of the Musical Phrase"" Katherine Firth, La Trobe University, Australia 11. Imagism’s Musical Sympathies: Amy Lowell and Claude Debussy Debora Van Durme, Ghent University, Belgium 12. Expansive Musical Modernism in William Carlos Williams, Steve Reich and Tom Leonard Peter Clandfield, Independent Scholar, Ontario, Canada 13. The Sudden Thing of Being No One: Robert Creeley’s Rhythm Changes Steven Toussaint, University of Wellington, New Zealand 14. ""With all that Tutti and Continuo"": Musicality and Temporality in Djuna Barnes’ The Antiphon Caroline Knighton, Birkbeck, University of London. 15. ""The Blues Always Been Here"": African American Music and Black Modernism in August Wilson’s Ma Rainey’s Black Bottom Michael Borshuk, Texas Tech Univ. USA. 16. The Musicalization of Samuel Beckett Thomas Mansell, London Consortium"ReviewsAuthor InformationKatherine O'Callaghan is Visiting Lecturer in the Department of English at Mount Holyoke College, USA. Tab Content 6Author Website:Countries AvailableAll regions |