Overview

Full Product Details

Author:   Paul Rodmell
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.453kg
ISBN:  

9781138268234

ISBN 10:   1138268232
Pages:   308
Publication Date:   17 November 2016
Audience:   College/higher education ,  General/trade ,  Tertiary & Higher Education ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Introduction; I: Music Societies and Venues; 1: The Management of Nineteenth-Century Dublin Music Societies in the Public and Private Spheres: The Philharmonic Society and the Dublin Musical Society; 2: Three Madrigal Societies in Early Nineteenth-Century England; 3: ‘A Melodious Phenomenon': The Institutional Influence on Town-Hall Music-Making; 4: A Home for the ‘Phil': Liverpool's First Philharmonic Hall (1849); 5: James Mapleson and the ‘National Opera House'; II: Music Education; 6: Musical Diplomacy and Mary Gladstone's Diary; 7: The Expansion and Development of the Music Degree Syllabus at Trinity College Dublin during the Nineteenth Century; 8: The Music Exams of the Society for the Encouragement of Arts, Manufactures and Commerce, 1859–1919; 9: Resisting the Empire? Public Music Examinations in Melbourne, 1896–1914; III: Music and the State; 10: Birmingham Cathedral, Royle Shore and the Revival of Early English Church Music; 11: On the Beat: The Victorian Policeman as Musician 1; 12: The British Military as a Musical Institution, c. 1780 – c. 1860; 13: Edward Jones, ‘Bard to the King': The Crown, Welsh National Music, and Identity in Late Georgian Britain

Reviews

'This collection adds usefully to Ashgate's Music in Nineteenth-Century Britain series. Rodmell hopes that the book will demonstrate the sheer diversity of the period's musical structures, the processes through which nineteenth century music became institutionalized and institutions musicalized, and the consequent growth in musicians' self-confidence as they increasingly escaped from systems of patronage and sought both individual and collective improvement. It largely succeeds in these aims and certainly provides plentiful material for later scholars to build upon. Fertile territory has been thoughtfully marked out. NABMSA Newsletter

Author Information

Paul Rodmell is a Senior Lecturer at the University of Birmingham, UK. He is the author of Charles Villiers Stanford (Ashgate, 2002) and has also written on music-making in nineteenth-century Dublin and opera in late-Victorian Britain.

Tab Content 6

Author Website:  

Customer Reviews

Recent Reviews

No review item found!

Add your own review!

Countries Available

All regions