Music and Human-Computer Interaction

Author:   Simon Holland ,  Katie Wilkie ,  Paul Mulholland ,  Allan Seago
Publisher:   Springer London Ltd
Edition:   2013 ed.
ISBN:  

9781447161271


Pages:   292
Publication Date:   12 April 2015
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Music and Human-Computer Interaction


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Author:   Simon Holland ,  Katie Wilkie ,  Paul Mulholland ,  Allan Seago
Publisher:   Springer London Ltd
Imprint:   Springer London Ltd
Edition:   2013 ed.
Dimensions:   Width: 15.50cm , Height: 1.60cm , Length: 23.50cm
Weight:   4.569kg
ISBN:  

9781447161271


ISBN 10:   1447161270
Pages:   292
Publication Date:   12 April 2015
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Music Interaction: Understanding Music and Human-Computer Interaction.- Should Music Interaction Be Easy?.- Amateur Musicians, Long-term Engagement, and HCI.- Affective Musical Interaction: Influencing Users’ Behaviour and Experiences with Music.- Chasing a Feeling: Experience in Computer Support Jamming.- The Haptic Bracelets: Learning Multi-limb Rhythm Skills from Haptic Stimuli whilst Reading.- Piano Technique as a Case Study in Expressive Gestural Interaction.- Live Music-making: A Rich Open Task Requires a Rich Open Interface.- A New Interaction Strategy for Musical Timbre Design.- Pulsed Melodic Processing – The Use of Melodies in Affective Computations for Increased Processing Transparency.- Computer Musicking: HCI, CSCW, and Collaborative Digital Musical Interaction.- Song Walker Harmony Space: Embodied Interaction Design for Complex Musical Skills.- Evolutionary and Generative Music Informs Music HCI – and vice versa.- Video Analysis for Evaluating Music Interaction: Musical Tabletops.- Towards a Participatory Approach for Interaction Design based on Conceptual Metaphor Theory: A Case Study from Music Interaction.- Appropriate and Complementary Rhythmic Improvisation in an Interactive Music System.- Index.

Reviews

From the reviews: The chapters begin with an abstract and end with a concluding wrap-up and a list of references. A comprehensive index for the entire book is very helpful to readers. A broad audience of researchers, musicians, and designers will find worthwhile and stimulating ideas in this book. (Brad Reid, Computing Reviews, March, 2014)


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