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Author:   Simon Frith (Tovey Professor of Music, University of Edinburgh) ,  Lee Marshall (Lecturer in Sociology, University of Bristol)
Publisher:   Edinburgh University Press
Imprint:   Edinburgh University Press
Edition:   2nd edition
Dimensions:   Width: 15.60cm , Height: 2.30cm , Length: 23.40cm
Weight:   0.342kg
ISBN:  

9780748618132

ISBN 10:   0748618139
Pages:   224
Publication Date:   25 June 2004
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Temporarily unavailable  
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Table of Contents

1. Introduction: Making Sense of Copyright (Simon Frith & Lee Marshall); PART 1: CONCEPTUAL APPROACHES; 2. The History and Philosophy of Copyright (Martin Kretschmer & Friedmann Kawohl); 3. Copyright and Economics (Ruth Towse); 4. Copyright, Politics and the International Music Industry (Dave Laing); PART 2: COPYRIGHT AND EVERYDAY LIFE; 5. Copyright Law and Power in the Music Industry (Steve Greenfield & Guy Osborn); 6. Copyright and the Composer (Roger Wallis); 7. Musicians (Jason Toynbee); 8. Technology, Creative Practice and Copyright (Paul Theberge); 9. Traditional Music Ownership in a Commodified World (Anthony Seeger); 10. Music and the Media (Simon Frith); 11. Infringers (Lee Marshall); Afterword: Where Now for Copyright? (Simon Frith & Lee Marshall).

Reviews

Well researched and clearly written, this work will inform policy discussions in the wide realm of intellectual property for decades to come. -- Professor Richard A. Peterson, Vanderbilt University Well researched and clearly written, this work will inform policy discussions in the wide realm of intellectual property for decades to come.

Well researched and clearly written, this work will inform policy discussions in the wide realm of intellectual property for decades to come. -- Professor Richard A. Peterson, Vanderbilt University Well researched and clearly written, this work will inform policy discussions in the wide realm of intellectual property for decades to come.

Author Information

Simon Frith is Tovey Professor and Head of Music at the Univeristy of Edinburgh. Lee Marshall is Lecturer in Sociology at the University of Bristol

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