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Author:   Gulru Necipoglu ,  David Roxburgh
Publisher:   Brill
Imprint:   Brill
Volume:   17
Dimensions:   Width: 16.00cm , Height: 1.70cm , Length: 24.00cm
Weight:   0.960kg
ISBN:  

9789004116696

ISBN 10:   9004116699
Pages:   202
Publication Date:   18 July 2000
Audience:   Professional and scholarly ,  Professional and scholarly ,  Professional & Vocational ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   Awaiting stock  
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Table of Contents

Acknowledgments Introduction David J. Roxburgh, The Study of Painting and the Arts of the Book Materials and Methods Jonathan M. Bloom, The Introduction of Paper to the Islamic Lands and the Development of the Illustrated Manuscript Sheila S. Blair, Color and Gold: The Decorated Papers used in Manuscripts in Later Islamic Times The Conception and Realization of Painting Eva R. Hoffman, The Beginnings of the Illustrated Arabic Book: An Intersection between Art and Scholarship Abolala Soudavar, The Age of Muhammadi Lale Uluc, Selling to the Court: Late-Sixteenth-Century Manuscript Production in Shiraz Theories and Aesthetics of Painting Priscilla P. Soucek, The Theory and Practice of Portraiture in the Persian Tradition Yves Porter, From the 'Theory of the Two Qalams' to the 'Seven Principles of Painting': Theory, Terminology, and Practice in Persian Classical Painting David J. Roxburgh, Kamal al-Din Bihzad and Authorship in Persianate Painting Later Responses to Paintings and Books Zeren Tanindi, Additions to Illustrated Manuscripts in Ottoman Workshops Serpil Bagci, From Translated Word to Translated Image: The illustrated Sehname-i Turki<\i> John Seyller, A Mughal Code of Connoisseurship

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Author Information

David J. Roxburgh, Ph.D. (1996) in History of Art, University of Pennsylvania, is Assistant Professor of History of Art and Architecture, Harvard University. He has published on arts of the book and albums, mainly form Iran and Central Asia.

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