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9781611320565

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"""Pierre Lemonnier is one of the few anthropologists of techniques trained in the tradition of Leroi-Gourhan. In his capable hands, daily objects from New Guinea, as well as from Europe, are taken out of the boring life granted to them by the common notion of 'matter' and begin to extend their connections to the whole social domain, forcing us to understand differently what is meant by 'materiality'.""--Bruno Latour, Institut d'etudes politiques de Paris ""Lemonnier (Centre National de la Recherche Scientifique, France) addresses debates in anthropology on the role objects play in the lives of their makers and users. A proponent of the cultural technology (technologie culturelle) approach to material culture, Lemonnier focuses on the ways that objects contribute to the sharing of values and to the social relations of the people who engage with them. Using four examples, he argues that objects of everyday use can be just as meaningful as works of art or ritual objects. Three of the examples--garden fences, eel traps, and drums--come from the author's fieldwork with the Ankave and Baruya peoples of Papua New Guinea. The fourth stems from the author's experiences as a collector of model racing cars... An important expansion of the cultural technology approach, the book takes a critical stance toward theorizing on material culture. Summing Up: Recommended. Graduate students, researchers, faculty.""--CHOICE"

Pierre Lemonnier is one of the few anthropologists of techniques trained in the tradition of Leroi-Gourhan. In his capable hands, daily objects from New Guinea, as well as from Europe, are taken out of the boring life granted to them by the common notion of 'matter' and begin to extend their connections to the whole social domain, forcing us to understand differently what is meant by 'materiality'. --Bruno Latour, Institut d'etudes politiques de Paris Lemonnier (Centre National de la Recherche Scientifique, France) addresses debates in anthropology on the role objects play in the lives of their makers and users. A proponent of the cultural technology (technologie culturelle) approach to material culture, Lemonnier focuses on the ways that objects contribute to the sharing of values and to the social relations of the people who engage with them. Using four examples, he argues that objects of everyday use can be just as meaningful as works of art or ritual objects. Three of the examples--garden fences, eel traps, and drums--come from the author's fieldwork with the Ankave and Baruya peoples of Papua New Guinea. The fourth stems from the author's experiences as a collector of model racing cars... An important expansion of the cultural technology approach, the book takes a critical stance toward theorizing on material culture. Summing Up: Recommended. Graduate students, researchers, faculty. --CHOICE

Author Information

Pierre Lemonnier is a Director of research at the CNRS (Centre de Recherche et de Documentation sur l'Oceanie, Aix-Marseille-Universite, France). He conducted repeated field research from 1978 to 1982 among the various Anga people of Papua New Guinea and has worked on numerous topics including war and peace-making, and the anthropology of technology. In 1982, he chose an Ankave valley for long-term anthropological fieldwork, to which he regularly returns. He has been recently involved in debates on lost tribes with the media and has written a book on sorcery and cannibalism among the Ankave (Le sabbat des lucioles, 2006). His other fields of interest are the interpretation of the Ankave and Baruya male initiations and the comparative study of Anga cultures. Pierre Lemonnier has published several books in the field of the anthropology of technics (Elements for an Anthropology of Technology, 1992, and Technological Choices, 1993), as well as numerous articles.

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