Overview

Mumbai is not India's capital. Not its holiest city. Not its oldest. It is its most itself: the city that wants things. Thirteen million people pressed onto a peninsula that was, three and a half centuries ago, seven malarial islands leased to a trading company for ten pounds a year. What happened in between is one of the stranger stories in the history of human settlement - a story of cotton booms and Gothic cathedrals built in tropical heat, of a film industry larger than Hollywood that almost nobody outside South Asia can describe, of the largest urban slum on the continent running a billion-dollar economy from workshops the size of garages, of leopards crossing into the suburbs at night and being photographed on the roofs of parked cars. Mumbai is the second book in the Travel Nerd Series - the first city book, because some places cannot be contained in a chapter. Tudor Finneran spent intensive time inside a city that does not yield to casual observation: riding the Central Line at rush hour, eating vada pav outside the railway stations, walking Dharavi's 90 Feet Road, standing on the Marine Drive sea wall when the monsoon arrived. The result is a book that is part urban history, part economic portrait, part argument about what a city is for and who it belongs to. It covers the Victorian Gothic quarter that the British built and the Indians absorbed so completely it became background. The Bollywood machine and the dream economy that surrounds it. The riots of 1992-93, the 1993 bombings, and the three-day siege of 2008 that the world watched live and that tested the city's celebrated resilience until the myth around it became visible. The Ambani question - Antilia's snow room, fifteen minutes from Dharavi by car, in traffic longer. The monsoon, the sea, the July 2005 flood that stopped the local trains for the first time in history. And the leopards, always the leopards, crossing the boundary between the forest and the city on their own schedule, indifferent to the distinction. The thesis: Mumbai runs on desire the way other cities run on oil or agriculture. It is an efficient fuel and an exhausting one. This book is an honest account of what that looks like from the inside. Dry, self-aware, and consistently unwilling to simplify what shouldn't be simplified. 25,000 words. For readers of Suketu Mehta, Katherine Boo, and anyone who has stood on a sea wall in a monsoon and understood, for the first time, why people come here and don't leave.

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