Overview

Muhannad Shono Works (2014-2024) is a comprehensive mono graph that offers the first critical overview of the ground-breaking Saudi artist's oeuvre to date. Edited by curator and writer Nat Muller and featuring texts by Islamic art historian Hala Auji, architect and writer Todd Reisz, and scholar of science fiction and eco-criticism Alison Sperling, the book positions Shono as one of Saudi Arabia's most original and daring artistic voices. A strong conceptual treatment by acclaimed graphic designer Edwin van Gelder (Mainstudio) reflects the evocative imaginary inherent in Shono's work. The designer captures Shono's sculptural conceptualization of space and unexpected use of natural and industrial materials in expressive detail, texture, and contrast, including numerous double-page spreads and an entire chapter printed in silver ink on specialty black paper. The book's three sections - myth, lines, and regeneration - each demonstrate how the artist's practice resonates with wider issues facing humanity today, what editor Nat Muller describes as a world beset by accumulative disaster, from climate catastrophe, perpetual war, and economic disparity to growing (ethno)nationalist populism and resource depletion.'

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9783969001585

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Muhannad Shono (b. 1977, Riyadh, KSA) is a visual artist who feels no limitation to medium or scale. His multidisciplinary practice is catalyzed and structured by story. Shono's work harnesses the power of narrative by creating and contesting personal, collective and historical truths. Impacted by childhood memories, throughout his early career and until today the aim and expression of his work is rooted in exploring both the existent and non-existent boundaries which have characterized his life. Taking a singular approach, his work amplifies the moment where impact, transmission, and change occur. This results in the creation of relics and symbols which belong to a world all his own and are defined by a constant need and curiosity to challenge the imagination. His family's long history of migration has left an impactful paradox in his work. These events have defined his relationship to space and place by creating a complete sense of freedom unconfined to cultural referentially while ever searching through concept, materials, and technique. From a young age, he discovered drawing and art making as a way to realize the world he wanted to see around him. Deeply impacted by restrictions of expression he experienced as a child; his work began to respond to these strict conditions and from there developed into endlessly imagined worlds inspired by the adoption of new ways of thinking, how to spark thought, calls for self discovery, and meaning. Shono has developed his own visual vocabulary and inimitable style, versatile and uninhibited in medium and form. His works have been presented across the world from intimate drawings, large scale sculptural works, robotic and technological pieces, all of which illuminate a journey he would like to take us on.

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