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`one must acknowledge its essential contribution to Mozart scholarship and its mass of information brought under control and made available to those whose only access is to English-language publications ' Music and Letters `[Zaslaw's] command of the material and its context, in the broadest sense, historical and theoretical, is so grandly magisterial that his views could not but have been enlightening ... there is much to be grateful for in a book that is bound to be a cornerstone of Mozart scholarship for many decades and a starting-point for any future work. ' Early Music magnificent and massive volume ... a profound, elegant, beautifully produced study of an age, its sociology, aesthetics, musical theory and practice. One does not know whether to admire more the judicious and perceptive analysis of the music or the thoroughness, originality and clarity of the presentation of the context in which the works came into being and were first performed. `A challenging, stylish and uncommonly useful book ... a valuable and attractively presented study of The Mozart-Da Ponte Operas. This is a fine book. ' Peter Branscombe, Austrian Studies, II `this may be the most important single volume may be the most important single volume on the composer to appear since the latest revision of the Koechel catalogue in 1964 ... Zaslaw demonstrates a masterful command of the primary and secondary literature, musical and iconographic sources. ' Notes, September 1992 `These sometimes monumental works are destined to give us a knowledge of Mozart which far exceeds that of any other composer in terms of precise detail. It is in that spirit that Professor Zaslaw's impressive study of Mozart's symphonic oeuvre must be seen...Professor Zaslaw has done an admirable and exhaustive job on a subjest that will serve scholars for years to come. Here, for the first time, all of Mozart's syphonic works are analysed and put into perspective. While not everyone will agree with the conclusions or the approach, it is clear that the work will provide the solid foundation for future research into Mozart's sysmphonies for the foreseeable future. Professor Zaslaw should commended for undertaking such a daunting task, and his work is to be highly recommended. ' Bertil Van Boer, Journal of Musicological Research, Vol 12, 1992 `One welcomes with open arms such a study as Neal Zaslaw's Mozart's Symphonies , not only for its substance but also for the clarity and wit of its presentation...all of what Zaslaw has to say, has obviously been thought through with logic, analysed, pondered, and organized in such a manner that his delivery of the vast material remains unencumbered and clear...It is well enough researched, written and edited not only to become a standard in every performing musician's and musicologist's library but also to serve as model for genre studies that have yet to be written. ' Faye Ferguson, Mozart-Jahrbuch, August 1993

The most important study of any part of Mozart's output to have appeared for many years. Indeed, it blazes a trail. There have been books in plenty that discuss the music and the background of various groups of Mozart's works...but none, I think, until now that has applied the full rigour of modern musicological method, work by work, supported by a comprehensive grasp of the literature, both contemporary and secondary....There are, without exaggeration, hundreds of new, interesting and thought-provoking points in his discussion....Bound to be a cornerstone of Mozart scholarship for many decades and a starting-point for any future work. --Early Music<br> Monumental....An admirable and exhaustive job on a subject that will serve scholars for years to come....Highly recommended. --Journal of Musicological Research<br> This exhaustively researched work delivers a plethora of details about the symphonies and the composer's personal and professional life. --Symphony Magazine<br> Until now there has been no really substantial book on Mozart's symphonies, but Zaslaw's work is so thorough and finely done that surely it will be the standard source on this important repertory for years to come. It is good to see such a significant gap in the Mozart research literature filled by a book that will no doubt become as indispensable in its own way as the Kochel thematic catalog or Emily Anderson's edition of the Mozart letters....A handsome volume, very reasonably priced for the riches it contains. --Choice<br> Both Mozart and the symphonies are shown in an interesting new light. Thoroughly researched, clearly written, and fascinating to read, this is a welcome addition to the growing numberof high-quality studies of classical composers. --Library Journal<br>

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