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9781138277359

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'... its good-sense and clarity plus the vast increase in our knowledge since the last comparable survey makes this an essential companion for players, students and listeners of this amazing body of music.' Early Music Review '... the literature on Mozart's piano concertos is rich, vast and complex. The author's goal was to produce an accessible, up-to-date handbook for students, pianists, and listeners, and the outcome is very successful... it may be the handiest book on Mozart concertos yet to appear... An excellent treatment of an important repertoire, the book includes elaborate footnotes and an excellent bibliography... Highly recommended.' Choice 'This strikes me as a most thorough and recommendably detailed study by an author already deeply and authoritatively and lovingly immersed in his subject... Recommended for academics, and as a handbook for practising musicians.' Musicweb 'If it's information you want about Mozart's piano concertos, this is the book to have... packed with facts... an up-to-date and generally accurate survey of the current state of knowledge and thinking about this corpus of music, which is so rich, so wide in its expressive range, and (dare I say?) so beautiful: and isn't it that that makes it worth writing and reading about.' Gramophone

Author Information

John Irving is Reader in Historical Performance at Trinity Laban Conservatoire of Music and Dance. He was previously Professor of Music at Canterbury Christ Church University, Director of The Institute of Musical Research, School of Advanced Study, University of London, and Professor of Music History and Performance Practice at The University of Bristol. His five books on Mozart include studies of the solo keyboard music, string quartets and piano concertos. He is also a fortepianist, performing and recording both on historic keyboards and modern copies.

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