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Full Product Details

Author:   Martin Harlow (Royal Northern College of Music, Manchester)
Publisher:   Cambridge University Press
Imprint:   Cambridge University Press
Dimensions:   Width: 24.50cm , Height: 1.50cm , Length: 17.00cm
Weight:   0.530kg
ISBN:  

9781107534285

ISBN 10:   1107534283
Pages:   300
Publication Date:   02 July 2015
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand  
We will order this item for you from a manufactured on demand supplier.

Table of Contents

1. The chamber music with keyboard in Mozart biography Martin Harlow; 2. Mozart's early chamber music with keyboard: traditions of performance, composition, and commodification Nicholas Baragwanath; 3. Opus 1, take 2: Mozart's Mannheim and Paris sonatas for keyboard and violin Peter Walls; 4. Mozart's 'Viennese' sonatas for keyboard and violin according to Ferdinand David: a survey of editorial and violin performance practices Robin Stowell; 5. Mozart's keyboard trios: styles, textures and contexts Katalin Komlós; 6. A winning strike: the miracle of Mozart's 'Kegelstatt' Colin Lawson; 7. An experiment in variation: the finale of Mozart's Piano Trio in G, K.496 Roman Ivanovitch; 8. On instrumental sounds, roles, genres and performances: Mozart's Piano Quartets, K.478 and K.493 Simon P. Keefe; 9. Enlarging the musical discourse: Mozart's Piano Quartet in G Minor, K.478 Robert S. Hatten; 10. Action, reaction and interaction, and the play of style and genre in Mozart's Piano and Wind Quintet, K.452 Martin Harlow; 11. Inhabiting Mozart's chamber music: the fortepianist's tale John Irving; 12. Reading between the lines: the notation and performance of Mozart's chamber music with keyboard Clive Brown; 13. Private and public forms of art: Charles Rosen on Mozart's chamber music with keyboard Charles Rosen in conversation.

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Author Information

Martin Harlow is Dean of Academic Studies at the Royal Northern College of Music in Manchester. His principal field of research is Classical period wind ensemble music and associated issues of historical performance practice.

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