Awards

• Commended for IndieFab awards (War & Military Nonfic) 2014
• Winner of 2014 INDIEFAB Book of the Year Awards finalist 2014
• Winner of Bronze Winner, 2014 INDIEFAB Book of the Year Awards, War & Military 2014
• Winner of Bronze Winner, 2014 INDIEFAB Book of the Year Awards, War & Military2015 AAUP Public and Secondary School Library Selection 2014
• Winner of Bronze Winner, 2014 INDIEFAB Book of the Year Awards, War & Military2015 AAUP Public and Secondary School Library Selection.

Overview

Vietnam, January, 1968. As the citizens of Hue are preparing to celebrate Tet, the start of the Lunar New Year, Nha Ca arrives in the city to attend her father's funeral. Without warning, war erupts all around them, drastically changing or cutting short their lives. After a month of fighting, their beautiful city lies in ruins and thousands of people are dead. Mourning Headband for Hue tells the story of what happened during the fierce North Vietnamese offensive and is an unvarnished and riveting account of war as experienced by ordinary people caught up in the violence.

Full Product Details

9780253014177

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Reviews

A superb piece of work. I have never encountered anything remotely like it in the voluminous literature on the Vietnam War. Nha Ca's voice is so powerfully immediate, and her caring determined eyes carefully guide the reader into the thick of a chaotic world painfully under seige. A wonderful testimonial history but also a great work of commemoration. - Heonik Kwon, University of Cambridge, author of Ghosts of War in Vietnam Mourning Headband for Hue is a personal account of what happened in Hue during the month-long occupation of parts of the city by communist troops during the 1968 Tet Offensive, a very bloody episode of the Vietnam War which inflicted extremely heavy losses on the civilian population in both human and material terms. Stranded in Hue where she had come to visit her family, the author found herself face-to-face with the war... Horrified, she recounts her experiences day by day as if weeping and wailing in the remembrance of the atrocities she has seen and heard. It is indeed a book laden with blood, sweat, and tears, but records events without distorting them. With explanatory information on many persons and events provided by the translator, the book is a valuable document for the history of the Vietnam War. - Nguyen The Anh, Rector of Hue University at the time of the events described in this book, is professor emeritus, Ecole Pratique des Hautes Etudes, Paris-Sorbonne, and author most recently of Vietnam: A Journey into History (in French). The stunning formal techniques the book employs to convey the horrors of [the Vietnam War] endows it with a measure of universal literary significance that lies outside the local arenas of Vietnamese politics and culture... A Mourning Headband for Hue is, quite simply, a great piece of modernist war writing and it deserves to be read alongside All Quiet on the Western Front, Homage to Catalonia, Johnny Got His Gun, The Naked and the Dead, The Things They Carried, and Black Hawk Down. - Peter Zinoman, University of California Berkeley In this searing and unsparing memoir, Nha Ca bears witness to the mindless violence against civilians in war. Her civilian focus is important: in all of the writing on the Vietnam War, too little has been written on the civilian experience of conflict, a conflict that profoundly shaped the lives of millions of Vietnamese. It is important that we read about this violence, and through first-hand accounts: the further we move away from the Vietnam War, and the more we clinically dissect the war in terms of high politics and military strategy, the less we seem to remember that the war, on the ground, could be vicious, brutal, and devastating. A Mourning Headband for Hue is an anguished testimonial to that reality. - Shawn F. McHale, George Washington University and author of Print and Power: Confucianism, Communism, and Buddhism in the Making of Modern Vietnam

The stunning formal techniques the book employs to convey the horrors of [the Vietnam War] endows it with a measure of universal literary significance that lies outside the local arenas of Vietnamese politics and culture.... A Mourning Headband for Hue is, quite simply, a great piece of modernist war writing and it deserves to be read alongside All Quiet on the Western Front, Homage to Catalonia, Johnny Got His Gun, The Naked and the Dead, The Things They Carried, and Black Hawk Down. Peter Zinoman, University of California Berkeley--Peter Zinoman, University of California Berkeley

A superb piece of work. I have never encountered anything remotely like it in the voluminous literature on the Vietnam War. Nha Ca's voice is so powerfully immediate, and her caring determined eyes carefully guide the reader into the thick of a chaotic world painfully under seige. A wonderful testimonial history but also a great work of commemoration. Heonik Kwon, author of Ghosts of War in Vietnam--Heonik Kwon, author of Ghosts of War in Vietnam

Author Information

Nha Ca, meaning a ""courteous, elegant song"" or ""canticle"" in Vietnamese, is the penname of one of the most famous South Vietnamese writers of the second half of the 20th century, whose real name is Tran Th Thu Van. She was born in Hue in 1939 and spent her youth there before moving to Saigon where she became a popular and prolific writer and poet. Initially her works focused on love but starting from the mid-1960s in many of her works she began to describe the fighting, atrocities, and suffering inflicted by the war that was ravaging her country. The most significant and famous of these works is Mourning Headband for Hue, which describes the experience of Vietnamese civilians in Hue during the Tet Offensive. This work was one of the winners of South Vietnam's Presidential Literary Award. After the fall of Saigon in 1975, the Communist authorities put Nha Ca into a prison camp where she remained from 1976 to 1977. Her husband, the poet Tran Dạ Tu, was jailed for twelve years. In 1989, a year after he was released from prison, the couple and their family received political asylum from the Swedish government. Later they moved to the United States and now live in Southern California, where they publish the Vietnamese-language newspaper Viet Bao. Born and raised in Leningrad, USSR, Olga Dror received an MA in Oriental studies from Leningrad State University in 1987 and later pursued an advanced degree from the Institute for Linguistic Studies in the Academy of Sciences, Moscow. She worked for Radio Moscow's Department of Broadcasting to Vietnam. In 1990 she immigrated to Israel, studied international relations at Hebrew University, and worked for the Israeli Ministry of Foreign Affairs in its embassy in Riga, Latvia, from 1994 to 1996. She continued her study of Vietnam and earned a PhD from Cornell University in 2003. Now an associate professor of history at Texas A&M University, she is author of Cult, Culture, and Authority: Princess Lieu Hanh in Vietnamese History and editor of two volumes on Vietnamese and Chinese religions. Her current research concerns the identities of Vietnamese children during the war in Vietnam.

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