Motoyuki Daifu: My Family Is a Pubis so I Cover It in Pretty Panties

Author:   Daifu, Motoyuki
Publisher:   Little Big Man
ISBN:  

9781947346116


Pages:   136
Publication Date:   11 November 2025
Format:   Hardback
Availability:   Available To Order   Availability explained
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Motoyuki Daifu: My Family Is a Pubis so I Cover It in Pretty Panties


Overview

Daifu's colorful and chaotic images of his own family life are an unfiltered record of love, friction and communal existence In Japan, where family affairs are typically kept private, Motoyuki Daifu's (born 1985) photographs put forward a raw, unfiltered portrayal of family life. My Family Is a Pubis so I Cover It in Pretty Panties pushes against cultural norms, airing out what Daifu dubs """"dirty laundry,"""" with no hesitation. In rejecting the sanitized and idealized images often populating family albums, he embraces the beautiful chaos of familial existence--its messiness, love, tension and intimacy--all unfolding in the tight quarters of his family home in suburban Yokohama. His images, spanning 13 years since 2005, observe his family with both proximity and distance, reflecting his own sense of detachment from them. In their vibrant, overflowing compositions, they suggest that to truly understand a family, one must embrace its chaos. The scattered objects, overlapping lives and unavoidable closeness all speak to the ways in which family shapes and consumes us.

Full Product Details

Author:   Daifu, Motoyuki
Publisher:   Little Big Man
Imprint:   Little Big Man
ISBN:  

9781947346116


ISBN 10:   1947346113
Pages:   136
Publication Date:   11 November 2025
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

Table of Contents

Reviews

""Vaginal Davis is queercore's fairy godmother.""--Daniel Larkin ""Hyperallergic"" Crafted with the same love and care as a family photo album, Daifu's monograph endears us to the discomforting realities of truth - within the disorder and alienation born of modern life, we must find a way to bridge the divide. For Daifu, it was photography, and his family accepted the camera's unflinching eye in their midst, despite the fact they didn't necessarily understand his intentions.--Sara Rosen ""Huck magazine""


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