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What at first reads like a loose memoir of growing up Jewish in Detroit ends up being a very detailed and widely comprehensive portrait of what makes Motor City's music so special and multifarious. There is no easily-drawn metaphor to stand for this sprawling, often-terrifying, still-volatile metropolis, no cliche to invoke Detroit in a few words as one might find for Chicago or New York. Mark Slobin's youthful life was exposed to an enormous number of ethnic musics derived from the many peoples throughout the world and America who jostle each other in Detroit; this has collided into an eclectic matrix which has influenced and alimented our whole nation's music. * William Bolcom, composer * Motor City Music is a loving portrait of one person's experience with the history of musicmaking in the D. Mark Slobin does not limit himself to one or two styles or genres, thus giving the reader valuable insight into the variety of sounds coming into and out of Detroit. * Leonard Slatkin, Music Director Laureate, Detroit Symphony Orchestra *

As a Detroiter, Slobin is uniquely suited to this task. Most of the book's photographs are the author's own, and his intimate knowledge of Detroit is prodigious. As a result, he easily moves between discussions of music education and training to emerging musical cultures and intersections of race and style. Slobin's approachable voice and use of interviews make Motor City Music a valuable contribution to the existing scholarship on one of the hubs of American music. Summing up: Highly recommended -- CHOICE Slobin shows how traditions DL ever changing and adapting DL and evolving technology created a vibrant musical culture in Motown.Slobin takes us back to a time when Detroit burst forth with a musical culture that reflected a remarkable mix of performance and innovation. In his last chapter, 'City in the Rearview Mirror,' he bids farewell to a city that set an incredibly rich musical table for him DL and for us. -- Blog of the Urban History Association This work inhabits the fields of sociology and anthropology at least as comfortably as musiciology... it is an intensely cross-disciplinary contribution. To the fields of cultural anthropology and sociology, it contributes a study of human migration and identity within an urban context.... It provides the casual reader with a thoughtful tour of the author's native city, while offering important simultaneous contributions to the scholarly fields of music history, sociology, cultural anthropology, and Jewish history. -- Michigan Jewish History Review ...Slobin takes us back to a time...when Detroit burst forth with a musical culture that reflected a remarkable mix of performance and innovation. -- Bob Carey, The Metropole While it is clear that Slobin builds his narrative on an extremely well-founded methodological base, the prose is nonetheless consistently light on theory, making this one of those rare books that have the potential to appeal to academic and non-academic readers alike. Motor City Music not only describes musical diversity in an urban context as enriching. It also invites diverse ways of reading it ... it is an important book, with the potential to shape our discipline. -- Florian Scheding, Revue de musicologie Motor City Music is a loving portrait of one person's experience with the history of musicmaking in the D. Mark Slobin does not limit himself to one or two styles or genres, thus giving the reader valuable insight into the variety of sounds coming into and out of Detroit. -- Leonard Slatkin, Music Director Laureate, Detroit Symphony Orchestra What at first reads like a loose memoir of growing up Jewish in Detroit ends up being a very detailed and widely comprehensive portrait of what makes Motor City's music so special and multifarious. There is no easily-drawn metaphor to stand for this sprawling, often-terrifying, still-volatile metropolis, no clichA (c) to invoke Detroit in a few words as one might find for Chicago or New York. Mark Slobin's youthful life was exposed to an enormous number of ethnic musics derived from the many peoples throughout the world and America who jostle each other in Detroit; this has collided into an eclectic matrix which has influenced and alimented our whole nation's music. -- William Bolcom, composer

As a Detroiter, Slobin is uniquely suited to this task. Most of the book's photographs are the author's own, and his intimate knowledge of Detroit is prodigious. As a result, he easily moves between discussions of music education and training to emerging musical cultures and intersections of race and style. Slobin's approachable voice and use of interviews make Motor City Music a valuable contribution to the existing scholarship on one of the hubs of American music. Summing up: Highly recommended -- CHOICE Motor City Music is a loving portrait of one person's experience with the history of musicmaking in the D. Mark Slobin does not limit himself to one or two styles or genres, thus giving the reader valuable insight into the variety of sounds coming into and out of Detroit. -- Leonard Slatkin, Music Director Laureate, Detroit Symphony Orchestra What at first reads like a loose memoir of growing up Jewish in Detroit ends up being a very detailed and widely comprehensive portrait of what makes Motor City's music so special and multifarious. There is no easily-drawn metaphor to stand for this sprawling, often-terrifying, still-volatile metropolis, no clichA (c) to invoke Detroit in a few words as one might find for Chicago or New York. Mark Slobin's youthful life was exposed to an enormous number of ethnic musics derived from the many peoples throughout the world and America who jostle each other in Detroit; this has collided into an eclectic matrix which has influenced and alimented our whole nation's music. -- William Bolcom, composer

Motor City Music is a loving portrait of one person's experience with the history of musicmaking in the D. Mark Slobin does not limit himself to one or two styles or genres, thus giving the reader valuable insight into the variety of sounds coming into and out of Detroit. -- Leonard Slatkin, Music Director Laureate, Detroit Symphony Orchestra What at first reads like a loose memoir of growing up Jewish in Detroit ends up being a very detailed and widely comprehensive portrait of what makes Motor City's music so special and multifarious. There is no easily-drawn metaphor to stand for this sprawling, often-terrifying, still-volatile metropolis, no clichA (c) to invoke Detroit in a few words as one might find for Chicago or New York. Mark Slobin's youthful life was exposed to an enormous number of ethnic musics derived from the many peoples throughout the world and America who jostle each other in Detroit; this has collided into an eclectic matrix which has influenced and alimented our whole nation's music. -- William Bolcom, composer

Author Information

Mark Slobin was born in wartime Detroit and grew up with classical and folk music backgrounds. His early work on folk music of Afghanistan shifted to studies of Eastern European Jewish music in Europe and America, film music, and theory of ethnomusicology. He spent his career in Wesleyan University's renowned ethnomusicology program and is retired in Manhattan.

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