Overview

In this book, Liz James offers a comprehensive history of wall mosaics produced in the European and Islamic middle ages. Taking into account a wide range of issues, including style and iconography, technique and material, and function and patronage, she examines mosaics within their historical context. She asks why the mosaic was such a popular medium and considers how mosaics work as historical 'documents' that tell us about attitudes and beliefs in the medieval world. The book is divided into two part. Part I explores the technical aspects of mosaics, including glass production, labour and materials, and costs. In Part II, James provides a chronological history of mosaics, charting the low and high points of mosaic art up until its abrupt end in the late middle ages. Written in a clear and engaging style, her book will serve as an essential resource for scholars and students of medieval mosaics.

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9781107011984

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Reviews

'This fabulous book is a great achievement. The 166 splendid color illustrations (many previously unpublished) alone would make the volume of great value, but James (Univ. of Sussex, UK) also provides a rich scholarly apparatus of footnotes and bibliography and a fine list of all extant mosaics, arranged by period and country. Written with panache, the book wears its erudition lightly and is accessible to a wide readership. Essential.' L. Nees, Choice 'This fabulous book is a great achievement. The 166 splendid color illustrations (many previously unpublished) alone would make the volume of great value, but James (Univ. of Sussex, UK) also provides a rich scholarly apparatus of footnotes and bibliography and a fine list of all extant mosaics, arranged by period and country. Written with panache, the book wears its erudition lightly and is accessible to a wide readership. Essential.' L. Nees, Choice

'This fabulous book is a great achievement. The 166 splendid color illustrations (many previously unpublished) alone would make the volume of great value, but James (Univ. of Sussex, UK) also provides a rich scholarly apparatus of footnotes and bibliography and a fine list of all extant mosaics, arranged by period and country. Written with panache, the book wears its erudition lightly and is accessible to a wide readership. Essential.' L. Nees, Choice

Author Information

Liz James is a Byzantine art historian with an interest in mosaics. Her ambition is to see at first-hand all the mosaics discussed in this book, and she is approximately three-quarters of the way there. She is Professor of Art History at the University of Sussex, where she teaches courses on Byzantine art.

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