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9781538172278

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Fields has written penetrating study of one of the most celebrated late works of Morton Feldman. His study is exhaustive in its examination and explication of every detail of this great work--I was impressed with the holistic approach to analysis that Fields brings to his research.--Thomas DeLio, professor of music, University of Maryland College Park In this important and thought-provoking addition to the growing body of analyses of Feldman works, Ray Fields' original and clearly presented analysis sheds new light on the structure and meaning of the piece and on Feldman's compositional aims and procedures. Here we see for the first time some of the underlying reasons why so many people, including Feldman himself, like this piece so much.--Chris Villars, editor, Morton Feldman Says: Selected Interviews and Lectures 1964-1987

In this important and thought-provoking addition to the growing body of analyses of Feldman works, Ray Fields' original and clearly presented analysis sheds new light on the structure and meaning of the piece and on Feldman's compositional aims and procedures. Here we see for the first time some of the underlying reasons why so many people, including Feldman himself, like this piece so much.--Chris Villars, editor, Morton Feldman Says: Selected Interviews and Lectures 1964-1987

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Ray Fields is a composer, analyst, and researcher. His works are performed at festivals, conferences, sacred settings, public spaces, and on-line. He studied with Thomas DeLio, Robert Gibson, Mark Edwards Wilson, and Christopher Pavlakis. His preparation for analyzing Morton Feldman’s Piano and String Quartet included three weeks of study at the Feldman Archive of the Paul Sacher Stiftung in Basel, Switzerland; interviews with David Harrington of the Kronos Quartet and pianist Aki Takahashi, who premiered and recorded the work, as well as other performers of Feldman’s music; and cognitive research on the aural experience of the composition itself.

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