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OverviewMonuments Askew: An Elliptical History of the Factory of the Eccentric Actor presents a cultural history of the Factory of the Eccentric Actor (FEKS), an avant-garde collective of Ukrainian artists whose unique approach to monumental history generated a new kind of cinema for a modernizing Soviet era. Often lost in the shuffle of this period, FEKS’s vibrant and experimental cinematic output initiated a youthful and cheeky overhaul of Soviet revolutionary culture. Monuments Askew reveals the foundational role of this understudied group of artists-including Grigori Kozintsev and Leonid Trauberg-and uses their own theoretical contributions to undo the “foundations” of our understanding of Soviet media and arts. As a counter to a solely cinema-focused conceptualization of this era, Corrigan develops a transnational media theory of eccentricity. Defining eccentric circles as warped, irregular orbits that force a realignment of centers, Monuments Askew shows how FEKS’s body of work inspires an eccentric realignment of the pillars of Soviet visual culture, and indeed of monumentality itself. Full Product DetailsAuthor: Maria CorriganPublisher: Rutgers University Press Imprint: Rutgers University Press Weight: 0.454kg ISBN: 9781978843028ISBN 10: 197884302 Pages: 180 Publication Date: 12 August 2025 Recommended Age: From 18 to 99 years Audience: General/trade , College/higher education , Professional and scholarly , General , Tertiary & Higher Education Format: Hardback Publisher's Status: Forthcoming Availability: Not yet available ![]() This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release. Table of ContentsList of Illustrations Acknowledgments Filmography List of Abbreviations Introduction Eccentric Interlude: Kozintsev’s Inner Movement 1. “The Technique—Circus. The Psychology—Head over Heels”: FEKS’s First Somersault in Cinema Eccentric Interlude: Trauberg Inside Out 2. The Devil’s Wheel: The Flight from Center Eccentric Interlude: Actors 3. FEKS’s Overcoat and Eccentrism’s Protagonist Eccentric Interlude: Split 4. The Trickster: S.V.D. and Eccentrism’s Counter-rebel Conclusion: Eccentric Archives Notes Bibliography IndexReviews""This is nothing less than a reconsideration of the entire edifice of Soviet cinema and performance. Corrigan writes with elegance and grace, guiding her readers through unfamiliar territory while always holding their attention.""--Eliot Borenstein ""author of Plots against Russia: Conspiracy and Fantasy after Socialism"" ""As a counter to a solely cinema-focused conceptualization of this era, this study develops a transnational media theory of eccentricity. Defining eccentric circles as warped, irregular orbits that force a realignment of centers, Monuments Askew shows how FEKS's body of work inspires an eccentric realignment of the pillars of Soviet visual culture, and indeed of monumentality itself.""--Lilya Kaganovsky ""author of The Voice of Technology: Soviet Cinema's Transition to Sound, 1928-1935"" Author InformationMARIA CORRIGAN is an assistant professor in the College in the Visual and Media Arts Department and Comedic Arts Program at Emerson College in Boston, Massachusetts. Tab Content 6Author Website:Countries AvailableAll regions |