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9780820428079

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Here is a book that challenges traditional assumptions about the origin and meaning of the thousands of 'monuments aux morts' erected throughout France after World War I. The author persuasively argues that although the 'monuments aux morts' honored soldiers killed in action, they were created primarily as expressions of popular resentment of the slaughter of the lowly multitudes for the benefit of the superior few. These monuments are depicted as a silent, but visible, condemnation of the French military establishment, the church, the state, and, indeed, the war itself. This provocative study draws upon a rich variety of historical and literary sources, including the first-hand testimony of letters and diaries. It is an insightful reading, strongly supported by careful and extensive research, of the disillusionment that permeated much of French society during and after World War I. 'Monumental Accusations' is certain to engage a broad spectrum of readers in literary and cultural studies. It is unquestionably the most substantive study of the subject available. I recommend it highly for both undergraduate and graduate libraries. (William S. Willis, Professor Emeritus of French, George Mason University)

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The Author: Marilene Patten Henry received her doctoral degree from the University of Virginia. She currently lectures at George Mason University and at Germanna Community College. She has written extensively about World War I, which is the focus of her research interest.

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