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9781481308823

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Historian W. Scott Poole distinguishes himself by focusing on the American context, providing a history told through the personified expressions of our anxieties and fears. In the follow-up to his first book, Satan in America, Poole has now turned his attention to the monsters that inhabit American cinema and American imaginations. --Christopher James Blythe Journal of Religion and Popular Culture [Poole's] book is sufficiently clear and engaging for general readers to enjoy and would make a worthwhile addition to undergraduate course in American history or culture. --Aaron John Gulyas Nova Religio Numerous scholars explore the cultural and political implications of monster and horror films for the times from which they emerge.... Few scholars connect such implications across broader expanses of time to reveal how intrinsically monsters and the horrific have been bound up in the history of America. Even fewer scholars do so as adeptly and as entertainingly as W. Scott Poole. --J. Ryan Parker Pop Theology Monsters in America is lively and entertaining throughout. The book's unusual range is one of its contributions; its freshness of juxtaposition is another. --Elizabeth Young American Historical Review Poole's connection of the monster to American history is a kind of Creature Features meets American cultural history. Here we not only meet such monsters but also discover America's cultural monstrosity. --John W. Morehead, editor, www.TheoFantastique.com ... Monsters in America is an important contribution, and it will be enjoyed by literary and cultural historians alike. --Nicole K. Konopka American Studies ... one of the best reads of the year. --Dave Canfield Fangoria

Poole brings to life American horror stories by framing them within folk belief, religion, and popular culture, broadly unraveling the idea of the monster. Thanks to Poole's insights we see the ubiquity of the monster lurking in and around us. John David Smith, Charles H. Stone Distinguished Professor of American History, The University of North Carolina at Charlotte Poole's connection of the monster to American history is a kind of Creature Features meets American cultural history. Here we not only meet such monsters but also discover America's cultural monstrosity. John W. Morehead, editor, www.TheoFantastique.com An unexpected guilty pleasure! Poole invites us into an important and enlightening, if disturbing, conversation about the very real monsters that inhabit the dark spaces of Americas past. J. Gordon Melton, Director, Institute for the Study of American Religion A well informed, thoughtful, and indeed frightening angle of vision to a persistent and compelling American desire to be entertained by the grotesque and the horrific. Gary Laderman, Professor of American Religious History and Cultures, Emory University With Monsters in America, W. Scott Poole has given us a guidebook for a journey into nightmare territory. Insightful and brilliant! Jonathan Maberry, New York Times bestselling author of Patient Zero and Dead of Night Poole ... has set the bar ridiculously high for any future research exploring the locus of historical and cultural studies, particularly as it pertains to the horrific. ... Monsters In America challenges, enlightens, and, quite honestly, frightens in its prescient view of American history, as well as the seeming ubiquity of the monsters of our past and probable future. The Crawlspace ... one of the best reads of the year. Dave Canfield, Fangoria Monsters in America does a bang-up job of demonstrating how our culture helps us achieve some sort of understanding about our world and our lives. Poole's examples are well-chosen and well-explicated. It is a frightening world we live in, yet the horrific things in our literature and culture play a vital part in helping us reach some understanding, and even some peace about them. Greg Garrett, Faithful Citizenship blogger and author of One Fine Potion: The Literary Magic of Harry Potter Numerous scholars explore the cultural and political implications of monster and horror films for the times from which they emerge.... Few scholars connect such implications across broader expanses of time to reveal how intrinsically monsters and the horrific have been bound up in the history of America. Even fewer scholars do so as adeptly and as entertainingly as W. Scott Poole. J. Ryan Parker, Pop Theology ... incredibly rewarding and fulfilling reading.... Monsters in America has without a doubt earned a spot on my favorite books of 2011. Highly recommended. Jenn's Bookshelves In Monsters in America, Scott Poole expertly weaves together folklore, media studies, and some of the more disturbing moments in American history to remind us of the vital roles monsters play in our culture. The new edition extends this analysis to shed light on some of the darker developments in recent American political culture. From early American ghost stories to Jordan Peeles Get Out (2017), Scott Poole expertly tracks the importance of monsters and monstrosity in American culture. Kendall R. Phillips, Syracuse University, author of A Place of Darkness: The Rhetoric of Horror in Early American Cinema Monsters in America is lively and entertaining throughout. The book's unusual range is one of its contributions; its freshness of juxtaposition is another. Elizabeth Young, Mount Holyoke College, American Historical Review (February 2013) A captivating read... Amanda Rock, Slug (October 2014) Monsters in America is an important contribution, and it will be enjoyed by literary and cultural historians alike. Nicole K. Konopka, American Studies (58:4) [Pooles] book is sufficiently clear and engaging for general readers to enjoy and would make a worthwhile addition to undergraduate course in American history or culture. Aaron John Gulyas, Nova Religio Historian W. Scott Poole distinguishes himself by focusing on the American context, providing a history told through the personified expressions of our anxieties and fears. In the follow-up to his first book, Satan in America, Poole has now turned his attention to the monsters that inhabit American cinema and American imaginations. Christopher James Blythe, Journal of Religion and Popular Culture

Author Information

W. Scott Poole is Professor of History at the College of Charleston, where he teaches courses on monsters, pop culture, and American history. He is the author of several books, including a biography of H.P Lovecraft, which became a Bram Stoker award finalist, and Wasteland: The Great War and the Origins of Modern Horror.

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