Modes of Composition and the Durability of Style in Literature
Author:   David Hoover
Publisher:   Taylor & Francis Ltd
ISBN:  

9780367366704


Pages:   216
Publication Date:   30 November 2020
Format:   Paperback
Availability:   In Print   Availability explained
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Modes of Composition and the Durability of Style in Literature


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Author:   David Hoover
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.453kg
ISBN:  

9780367366704


ISBN 10:   0367366703
Pages:   216
Publication Date:   30 November 2020
Audience:   College/higher education ,  General/trade ,  Tertiary & Higher Education ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

1 Modes of Composition and the Durability of Literary Style 2 A Proof of Concept: Identifying Differences in Style 3 Changing Back and Forth from Handwriting to Dictation: Thomas Hardy, Walter Scott, and Joseph Conrad 4 Changing Over from Handwriting to Dictation or Typing: Booth Tarkington and William Faulkner 5 Changing Over from Handwriting or Typing to Word Processing: Arthur Clarke, Octavia Butler, Stanley Elkin, and Ian McEwan 6 The Durability of Change: Handwriting, Dictation, and Style Evolution in Henry James 7 The Durability of Stephen King’s Style 8 Why a Change in Mode is Not Enough: Translation and the Radical Durability of Style 9 Conclusion

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Author Information

David L. Hoover, Professor of English at New York University, holds a Ph.D. in English Language from Indiana University. He is Project Partner, “Quantitative Criticism,” Universität Stuttgart; Co-Investigator, “Distant Reading for European Literary History” (COST); and Advisor, “The Riddle of Literary Quality” (Netherlands). He is the author of “Simulations and Difficult Problems” (2019) and “The Microanalysis of Style Variation” (2017) in Digital Scholarship in the Humanities, and Digital Literary Studies (with Culpeper and O’Halloran, Routledge, 2014).

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