Modes of Communication in Stravinsky’s Works: Sign and Expression

Author:   Per Dahl
Publisher:   Taylor & Francis Ltd
ISBN:  

9781032111148


Pages:   222
Publication Date:   25 September 2023
Format:   Paperback
Availability:   In Print   Availability explained
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Modes of Communication in Stravinsky’s Works: Sign and Expression


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Full Product Details

Author:   Per Dahl
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.400kg
ISBN:  

9781032111148


ISBN 10:   1032111143
Pages:   222
Publication Date:   25 September 2023
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Introduction Part I: Sign and expression in communication 1 Prelude 1.1. The point of departure 1.2. Discourses of a musical work 2 The multi-layered triad 2.1 Ogden 2.2 Agawu 2.3 A multi-layered triad 2.4 Literacy 2.5 Bacon 2.6 A complete communication model 3 Stravinsky’s background and languages 3.1 St. Petersburg 3.2 Suisse/France 3.3 Religion 3.4 America 4 The Aesthetics 4.1 A grid 4.2 Quotes from Stravinsky 4.3 Comments and critiques of Stravinsky’s aesthetics 4.4 Adorno 5 The Logics 5.1 The operational grid 5.2 Some aspects from semiotics and linguistics 5.3 Some statements from Stravinsky 5.4 Bacon’s idols 6 The Ethics 6.1 The ethical grid 6.2 The listening process 6.3 The composer in action 7 Postlude Part II: Modes of Communication in Stravinsky’s music 8 Notation 9 Music notation and literacy in music: a historical approach 10 A study of Stravinsky’s notation practice: an empirical approach 10.1 Design 10.2 Results 11 Vocabulary, concepts and adjustments: a semiotic approach 12 Musicians’ music reading practices: a cognitive approach 12.1 Music reading 12.2 Approaching the music notation 12.3 Elements in Stravinsky’s notation practice 13 Stravinsky’s recordings and performances: a critical approach 13.1 The composer as performer 13.2 Some case studies 13.3 Reliability and validity Conclusion Appendices: 1 Work categories 2 Vocabulary 3 Works in the Serial period 4 Shorted and stretched notes

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Author Information

Per Dahl is Professor of Music at the University of Stavanger, Norway.

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