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OverviewFull Product DetailsAuthor: Ben Glaser (Assistant Professor of English, Yale University)Publisher: Johns Hopkins University Press Imprint: Johns Hopkins University Press Dimensions: Width: 15.20cm , Height: 1.90cm , Length: 22.90cm Weight: 0.408kg ISBN: 9781421439525ISBN 10: 1421439522 Pages: 304 Publication Date: 29 December 2020 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Available To Order ![]() We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of Contents"Acknowledgments Introduction Chapter 1. Modernist Scansion: Robert Frost's Distorted Vernacular Chapter 2. Penty Ladies: T. S. Eliot, Satire, and the Gender of Modern Meter Chapter 3. ""No Feet to Walk On"": Pound's Late Victorian Prosody Chapter 4. Metristes: Formal Feeling in Sara Teasdale, Georgia Douglas Johnson, and Louise Bogan Chapter 5. The Prosody of Passing: Jean Toomer and James Weldon Johnson Chapter 6. Folk Iambics: Sterling Brown's Outline for the Study of the Poetry of American Negroes Conclusion. Prosody after Form Appendix. Scansion and Metrical Notation Notes Works Cited Index"ReviewsModernism's Metronome is anything but metronomic. It's got a beat; you can dance to it. -Aldon Lynn Nielsen, coeditor of Every Goodbye Ain' t Gone: An Anthology of Innovative Poetry by African American Artists Glaser's very structure contains an argument: we have not been paying proper attention to the writers we know, and the contemporary criticism of modernism leaves out writers like Teasdale, Douglas Johnson, Bogan, Toomer, Weldon Johnson, and Brown. Modernism's Metronome is controversial and field-changing. -Meredith Martin, author of The Rise and Fall of Meter: Poetry and English National Culture, 1860-1930 Modernism's Metronome puts to rest the notion that experiments with and against meter mark progress over traditional forms associated-not coincidentally-with women and African Americans. Glaser reads US modernist poets' claims for themselves in the context of early twentieth-century literary cultures and soundscapes to reveal the continued stakes of poetic form. -Anthony Reed, author of Freedom Time: The Poetics and Politics of Black Experimental Writing Excellently researched, scintillating, and written with brio. Glaser has a sensitive ear for verse rhythm and outstanding technical prowess. This book is a major asset to modernist studies. -Josh Epstein, author of Sublime Noise: Musical Culture and the Modernist Writer Whether you're interested in modernism or prosody, Modernism's Metronome is a book that must be read. Every poet knows that a poem is made of patterned syllables, and Glaser clears the way to our future by examining closely our recent past. -James Longenbach, author of The Lyric Now Modernism's Metronome is an extremely learned book. -Scarlett Higgins, University of New Mexico, American Literary Review Author InformationBen Glaser is an assistant professor of English at Yale University. He is the coeditor of Critical Rhythm: The Poetics of a Literary Life Form. Tab Content 6Author Website:Countries AvailableAll regions |