Modernism's Metronome: Meter and Twentieth-Century Poetics

Author:   Ben Glaser (Assistant Professor of English, Yale University)
Publisher:   Johns Hopkins University Press
ISBN:  

9781421439525


Pages:   304
Publication Date:   29 December 2020
Format:   Paperback
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

Our Price $80.99 Quantity:  
Add to Cart

Share |

Modernism's Metronome: Meter and Twentieth-Century Poetics


Add your own review!

Overview

Full Product Details

Author:   Ben Glaser (Assistant Professor of English, Yale University)
Publisher:   Johns Hopkins University Press
Imprint:   Johns Hopkins University Press
Dimensions:   Width: 15.20cm , Height: 1.90cm , Length: 22.90cm
Weight:   0.408kg
ISBN:  

9781421439525


ISBN 10:   1421439522
Pages:   304
Publication Date:   29 December 2020
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

Table of Contents

"Acknowledgments Introduction Chapter 1. Modernist Scansion: Robert Frost's Distorted Vernacular Chapter 2. Penty Ladies: T. S. Eliot, Satire, and the Gender of Modern Meter Chapter 3. ""No Feet to Walk On"": Pound's Late Victorian Prosody Chapter 4. Metristes: Formal Feeling in Sara Teasdale, Georgia Douglas Johnson, and Louise Bogan Chapter 5. The Prosody of Passing: Jean Toomer and James Weldon Johnson Chapter 6. Folk Iambics: Sterling Brown's Outline for the Study of the Poetry of American Negroes Conclusion. Prosody after Form Appendix. Scansion and Metrical Notation Notes Works Cited Index"

Reviews

Modernism's Metronome is anything but metronomic. It's got a beat; you can dance to it. -Aldon Lynn Nielsen, coeditor of Every Goodbye Ain' t Gone: An Anthology of Innovative Poetry by African American Artists Glaser's very structure contains an argument: we have not been paying proper attention to the writers we know, and the contemporary criticism of modernism leaves out writers like Teasdale, Douglas Johnson, Bogan, Toomer, Weldon Johnson, and Brown. Modernism's Metronome is controversial and field-changing. -Meredith Martin, author of The Rise and Fall of Meter: Poetry and English National Culture, 1860-1930 Modernism's Metronome puts to rest the notion that experiments with and against meter mark progress over traditional forms associated-not coincidentally-with women and African Americans. Glaser reads US modernist poets' claims for themselves in the context of early twentieth-century literary cultures and soundscapes to reveal the continued stakes of poetic form. -Anthony Reed, author of Freedom Time: The Poetics and Politics of Black Experimental Writing Excellently researched, scintillating, and written with brio. Glaser has a sensitive ear for verse rhythm and outstanding technical prowess. This book is a major asset to modernist studies. -Josh Epstein, author of Sublime Noise: Musical Culture and the Modernist Writer Whether you're interested in modernism or prosody, Modernism's Metronome is a book that must be read. Every poet knows that a poem is made of patterned syllables, and Glaser clears the way to our future by examining closely our recent past. -James Longenbach, author of The Lyric Now Modernism's Metronome is an extremely learned book. -Scarlett Higgins, University of New Mexico, American Literary Review


Author Information

Ben Glaser is an assistant professor of English at Yale University. He is the coeditor of Critical Rhythm: The Poetics of a Literary Life Form.

Tab Content 6

Author Website:  

Customer Reviews

Recent Reviews

No review item found!

Add your own review!

Countries Available

All regions
Latest Reading Guide

MRG2025CC

 

Shopping Cart
Your cart is empty
Shopping cart
Mailing List