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OverviewThis guide to modernism and performance introduces key developments and debates of the period, such as the rise of the director, new theories of acting and new modes of production. Through these debates, and emphasis on the performing body, this study underlines the importance of performance in reconfiguring our general understanding of modernism Full Product DetailsAuthor: Olga TaxidouPublisher: Bloomsbury Publishing PLC Imprint: Red Globe Press Dimensions: Width: 15.50cm , Height: 1.40cm , Length: 23.50cm Weight: 0.342kg ISBN: 9781403941015ISBN 10: 1403941017 Pages: 272 Publication Date: 06 November 2007 Audience: College/higher education , Professional and scholarly , Undergraduate , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Out of Print Availability: In Print Limited stock is available. It will be ordered for you and shipped pending supplier's limited stock. Table of ContentsList of Illustrations.- Preface.- Acknowledgements.- Introduction: Savages, Gods, Robots and Revolutionaries.- Puppets and Actors.- The Playwright, the Director and the Actress.- '...as if the words themselves could sing and shine': Poetic Drama and Theatricality.- Sada Yakko, Mitchio Ito and Mei Lan-fang: Orientalism, Interculturalism and the Performance Event.- Greeks and Other Savages: Neo-Hellenism, Primitivism and Performance.- 'The Revolution said to the Theatre....': Performance and Engagement.- Notes .- Name Index.- Subject Index.Reviews'Enjoyable to read, informative and illuminating.' - Jon Erickson. Ohio State University, USA Author InformationOLGA TAXIDOU is a Reader in the Department of English Literature at the University of Edinburgh, UK, where she teaches theatre and performance studies. She is the author of The Mask: A Periodical Performance by Edward Gordon Craig (1998), Tragedy, Modernity and Mourning (2004) and co-editor of Modernism: An Anthology of Sources and Documents (1998, 2002) Tab Content 6Author Website:Countries AvailableAll regions |
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