Overview

From the Fairlight CMI through MIDI to the digital audio workstations at the turn of the millennium, Modern Records, Maverick Methods examines a critical period in commercial popular music record production: the transformative digital age from the late 1970s until 2000. Drawing on a discography of more than 300 recordings across pop, rock, hip hop, dance and alternative musics from artists such as the Beastie Boys, Madonna, U2 and Fatboy Slim, and extensive and exclusive ethnographic work with many world-renowned recordists, Modern Records presents a fresh and insightful new perspective on one of the most significant eras in commercial music record production. The book traces the development of significant music technologies through the 1980s and 1990s, revealing how changing attitudes and innovative techniques of recording personnel reimagined recording processes and, finally, exemplifies the impact of these technologies and techniques via six comprehensive tech-processual analyses. This meticulously researched and timely book reveals the complexity of recordists’ responses to a technological landscape in flux.

Full Product Details

Author:   Dr Samantha Bennett (Australian National University, Australia)
Publisher:   Bloomsbury Publishing Plc
Imprint:   Bloomsbury Academic USA
Weight:   0.513kg
ISBN:  

9781501344107

ISBN 10:   1501344102
Pages:   256
Publication Date:   27 December 2018
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand  
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Table of Contents

List of Tables and Diagrams Acknowledgements 1. Introduction 2. Constructing Records: Sound Recording and Production Technology in the Early 1980s 3. The Sound of Technology: Machines and Formats that Transformed Mid-late 1980s Popular Music 4. Technological Hybridity: Conflations of Analogue, Digital, the Cutting Edge and the Vintage in the 1990s 5. Maverick Methods: Tech-Processual Unorthodoxies in Contemporary Record Production 6. Sound Recordists in Flux: The Diversification of the Recording and Production Role 7. Sound Minds: Mapping Recordists’ Attitudes 8. Analyzing Technology and Process in Popular Music Recordings: A Tech-Processual Methodology 9. Conclusion Records Cited Bibliography Filmography

Reviews

In this deeply researched study of commercial popular music production in the 1980s and `90s, Samantha Bennett turns the digital vs. analog debate on its head, revealing the hybrid maverick methods recordists developed as they blended technologies and practices from both analog and digital domains in a rapidly changing studio environment. Rich in technical detail and musical analysis, the book nevertheless underscores the human element of record-making as recordists' choices and attitudes influenced the sound of the modern records they produced. * Susan Schmidt Horning, Associate Professor of History, St. John's University, USA, and author of Chasing Sound: Technology, Culture, and the Art of Studio Recording from Edison to the LP (2013). * In Modern Records, Maverick Methods, Sam Bennett not only provides a hugely detailed study of the linking technologies and methods that characterise the two decades between the `golden age' of rock recording in the 1960s/70s and the current world of the DAW, she also provides a fascinating analysis of the tortured and complex process through which attitudes to recording technologies both developed and changed. This is an important and welcome addition to the literature. * Simon Zagorski-Thomas, Professor of Music, London College of Music, UK, and author of The Musicology of Record Production (2014) *

In this deeply researched study of commercial popular music production in the 1980s and `90s, Samantha Bennett turns the digital vs. analog debate on its head, revealing the hybrid maverick methods recordists developed as they blended technologies and practices from both analog and digital domains in a rapidly changing studio environment. Rich in technical detail and musical analysis, the book nevertheless underscores the human element of record-making as recordists' choices and attitudes influenced the sound of the modern records they produced. * Susan Schmidt Horning, Associate Professor of History, St. John's University, USA, and author of Chasing Sound: Technology, Culture, and the Art of Studio Recording from Edison to the LP (2013). *

Author Information

Samantha Bennett is Associate Professor of Music at the Australian National University. She is the author of Siouxsie and the Banshees' Peepshow (2018), part of Bloomsbury’s 33 1/3 series, and co-editor of Critical Approaches to the Production of Music and Sound (2018) and Popular Music, Stars and Stardom (2018). Her journal articles are published in Popular Music, Popular Music and Society, The Journal of Popular Music Studies and IASPM@journal.

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