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Full Product Details

Author:   Nicholas J. Saunders (University of Bristol, UK) ,  Paul Cornish (Imperial War Museum, UK)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.453kg
ISBN:  

9780367873233

ISBN 10:   0367873230
Pages:   392
Publication Date:   12 December 2019
Audience:   College/higher education ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Foreword: David Howes. Introduction: Paul Cornish, Nicholas J Saunders, Mark Smith Part 1: Sensual Landscapes 1: Sensing War: Concept and Space in the Imperial War Museum’s First World War Galleries. Paul Cornish. 2: Materiality, Space, and Distance in the First World War. Nicholas J. Saunders. 3: Assaulting the Senses: Life and Landscape beneath the Western Front. Matthew Leonard. 4: The scent of snow at Punta Linke: First World War sites as sensecapes, Trentino, Italy’. Franco Nicolis. 5: Sensorial engagement in tourism experiences on the Western Front. Stephen Miles. 6: ‘Dead Air’: The acoustic of war and peace – creative interpretations of the sounds of conflict and remembrance. Paul Gough and Katie Davies. 7: Moaning Minnie and the Doodlebugs: Soundscapes of Air Warfare in Second World War Britain. Gabriel Moshenska. 8: ‘The Cave Mouth: Listening to sound and voice in Okinawan war memory. Rupert Cox and Angus Carlyle. 9: Emplacing the Italian Resistance: the dystopian fight against Fascism and Nazism (1943-1945). Sarah De Nardi. Part 2: Sensing Bodies 10: Odour and Ethnicity: Americans and Japanese in the Second World War. Susannah Callow. 11: Ingestion and Digestion on the Western Front. Rachel Duffett. 12: Trench Crap: Excremental aspects of the First World War. Dominiek Dendooven. 13: Sense and Sensibility: the power of print in post-war recuperation. Jeffrey S. Reznick. 14: The ‘White Death’: Thirst and Water in the Chaco War. Esther Breithoff. 15: Jan Karski: From Eye Witness to Moral Witness. What to do with your senses. Annette Becker. 16: The Sensory Signature of being an airman in a Second World War Lanca

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Author Information

Nicholas J. Saunders is Professor of Material Culture at Bristol University and co-director of two long-term First World War projects: the ‘Great Arab Revolt Archaeological Project’ (Jordan), and the ‘Isonzo Valley Conflict Landscapes Project’ (Slovenia/Italy). He has published numerous articles and books on the archaeology and anthropology of modern conflict, including Trench Art: Materialities and Memories of War (2003), Matters of Conflict (2004), Killing Time: Archaeology and the First World War (2007), and co-edited with Paul Cornish Contested Objects (2009) and Bodies in Conflict (2014). Paul Cornish is Senior Curator at the Imperial War Museum, and played a leading role in the museum’s Regeneration Project for the 2014 Centenary. He has co-organised five IWM-based international and multidisciplinary conferences on modern conflict, has published Machine Guns and the Great War (2009) and The First World War Galleries (2014), and co-edited Contested Objects (2009) and Bodies in Conflict (2014).

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