Overview

Full Product Details

9780803249738

Table of Contents

Reviews

Don't be deceived by the brevity of this book. In it Jonathan Fineberg gives a thrilling and inspiring account of the fundamental problem in abstract art: the representation of visual forms. It should be must-reading for all who are interested in neuroesthetics and the elusive problem of form representation. -Semir Zeki, professor of neuroesthetics at University College London, Fellow of the Royal Society, and author of Splendors and Miseries of the Brain -- Semir Zeki `Art, like falling in love, simultaneously disorganizes and nurtures the self toward a creative reordering,' writes Fineberg. It's hard not to love his book, informed by fifty years of writing about art and intelligently engaging neuroscience and psychoanalysis to make a case for the fundamental importance of art. With elegant and concise prose the author crafts a particularly eloquent argument for the power of abstract art as an articulation of thought in form. Looking at art allows us to confront the new and bewildering. Seeing literally alters our brains. -Dorothy Kosinski, director of the Phillips Collection, Washington DC -- Dorothy Kosinski This is your brain. This is your brain on art. Jonathan Fineberg shows us just how art's very ambiguity and subjectivity enables the brain to adapt and grow in ways that help us navigate our brave new multiverse. His book is an endlessly fascinating account of the mechanics of our perceptions when confronted with the ruptures of the new. It's a wild ride! -Fred Tomaselli, artist, New York -- Fred Tomaselli Based on Fineberg's reputation, it could be expected that Modern Art at the Border of Mind and Brain would be a valuable addition for collections centered on art theory. But it's what makes this book special-its text and visuals-that extends its appropriateness into general art collections. -Carl Schmitz, Art Libraries Society of North America -- Carl Schmitz * Art Libraries Society of North America *

Based on Fineberg's reputation, it could be expected that Modern Art at the Border of Mind and Brain would be a valuable addition for collections centered on art theory. But it's what makes this book special-its text and visuals-that extends its appropriateness into general art collections. -Carl Schmitz, Art Libraries Society of North America -- Carl Schmitz * Art Libraries Society of North America * This is your brain. This is your brain on art. Jonathan Fineberg shows us just how art's very ambiguity and subjectivity enables the brain to adapt and grow in ways that help us navigate our brave new multiverse. His book is an endlessly fascinating account of the mechanics of our perceptions when confronted with the ruptures of the new. It's a wild ride! -Fred Tomaselli, artist, New York -- Fred Tomaselli 'Art, like falling in love, simultaneously disorganizes and nurtures the self toward a creative reordering,' writes Fineberg. It's hard not to love his book, informed by fifty years of writing about art and intelligently engaging neuroscience and psychoanalysis to make a case for the fundamental importance of art. With elegant and concise prose the author crafts a particularly eloquent argument for the power of abstract art as an articulation of thought in form. Looking at art allows us to confront the new and bewildering. Seeing literally alters our brains. -Dorothy Kosinski, director of the Phillips Collection, Washington DC -- Dorothy Kosinski Don't be deceived by the brevity of this book. In it Jonathan Fineberg gives a thrilling and inspiring account of the fundamental problem in abstract art: the representation of visual forms. It should be must-reading for all who are interested in neuroesthetics and the elusive problem of form representation. -Semir Zeki, professor of neuroesthetics at University College London, Fellow of the Royal Society, and author of Splendors and Miseries of the Brain -- Semir Zeki

Based on Fineberg's reputation, it could be expected that Modern Art at the Border of Mind and Brain would be a valuable addition for collections centered on art theory. But it's what makes this book special-its text and visuals-that extends its appropriateness into general art collections. -Carl Schmitz, Art Libraries Society of North America -- Carl Schmitz Art Libraries Society of North America This is your brain. This is your brain on art. Jonathan Fineberg shows us just how art's very ambiguity and subjectivity enables the brain to adapt and grow in ways that help us navigate our brave new multiverse. His book is an endlessly fascinating account of the mechanics of our perceptions when confronted with the ruptures of the new. It's a wild ride! -Fred Tomaselli, artist, New York -- Fred Tomaselli 'Art, like falling in love, simultaneously disorganizes and nurtures the self toward a creative reordering,' writes Fineberg. It's hard not to love his book, informed by fifty years of writing about art and intelligently engaging neuroscience and psychoanalysis to make a case for the fundamental importance of art. With elegant and concise prose the author crafts a particularly eloquent argument for the power of abstract art as an articulation of thought in form. Looking at art allows us to confront the new and bewildering. Seeing literally alters our brains. -Dorothy Kosinski, director of the Phillips Collection, Washington DC -- Dorothy Kosinski Don't be deceived by the brevity of this book. In it Jonathan Fineberg gives a thrilling and inspiring account of the fundamental problem in abstract art: the representation of visual forms. It should be must-reading for all who are interested in neuroesthetics and the elusive problem of form representation. -Semir Zeki, professor of neuroesthetics at University College London, Fellow of the Royal Society, and author of Splendors and Miseries of the Brain -- Semir Zeki

Don't be deceived by the brevity of this book. In it Jonathan Fineberg gives a thrilling and inspiring account of the fundamental problem in abstract art: the representation of visual forms. It should be must-reading for all who are interested in neuroesthetics and the elusive problem of form representation. --Semir Zeki, professor of neuroesthetics at University College London, Fellow of the Royal Society, and author of Splendors and Miseries of the Brain --Semir Zeki (09/16/2014)

"""Based on Fineberg's reputation, it could be expected that Modern Art at the Border of Mind and Brain would be a valuable addition for collections centered on art theory. But it's what makes this book special–its text and visuals–that extends its appropriateness into general art collections.""—Carl Schmitz, Art Libraries Society of North America “This is your brain. This is your brain on art. Jonathan Fineberg shows us just how art’s very ambiguity and subjectivity enables the brain to adapt and grow in ways that help us navigate our brave new multiverse. His book is an endlessly fascinating account of the mechanics of our perceptions when confronted with the ruptures of the new. It’s a wild ride!”—Fred Tomaselli, artist, New York   “‘Art, like falling in love, simultaneously disorganizes and nurtures the self toward a creative reordering,’ writes Fineberg. It’s hard not to love his book, informed by fifty years of writing about art and intelligently engaging neuroscience and psychoanalysis to make a case for the fundamental importance of art. With elegant and concise prose the author crafts a particularly eloquent argument for the power of abstract art as an articulation of thought in form. Looking at art allows us to confront the new and bewildering. Seeing literally alters our brains.”—Dorothy Kosinski, director of the Phillips Collection, Washington DC “Don’t be deceived by the brevity of this book. In it Jonathan Fineberg gives a thrilling and inspiring account of the fundamental problem in abstract art: the representation of visual forms. It should be must-reading for all who are interested in neuroesthetics and the elusive problem of form representation.”—Semir Zeki, professor of neuroesthetics at University College London, Fellow of the Royal Society, and author of Splendors and Miseries of the Brain"

Based on Fineberg's reputation, it could be expected that Modern Art at the Border of Mind and Brain would be a valuable addition for collections centered on art theory. But it's what makes this book special-its text and visuals-that extends its appropriateness into general art collections. -Carl Schmitz, Art Libraries Society of North America This is your brain. This is your brain on art. Jonathan Fineberg shows us just how art's very ambiguity and subjectivity enables the brain to adapt and grow in ways that help us navigate our brave new multiverse. His book is an endlessly fascinating account of the mechanics of our perceptions when confronted with the ruptures of the new. It's a wild ride! -Fred Tomaselli, artist, New York 'Art, like falling in love, simultaneously disorganizes and nurtures the self toward a creative reordering,' writes Fineberg. It's hard not to love his book, informed by fifty years of writing about art and intelligently engaging neuroscience and psychoanalysis to make a case for the fundamental importance of art. With elegant and concise prose the author crafts a particularly eloquent argument for the power of abstract art as an articulation of thought in form. Looking at art allows us to confront the new and bewildering. Seeing literally alters our brains. -Dorothy Kosinski, director of the Phillips Collection, Washington DC Don't be deceived by the brevity of this book. In it Jonathan Fineberg gives a thrilling and inspiring account of the fundamental problem in abstract art: the representation of visual forms. It should be must-reading for all who are interested in neuroesthetics and the elusive problem of form representation. -Semir Zeki, professor of neuroesthetics at University College London, Fellow of the Royal Society, and author of Splendors and Miseries of the Brain

Author Information

Jonathan Fineberg is Visiting Distinguished Professor at the University of California, Irvine, and Edward William and Jane Marr Gutgsell Professor Emeritus at the University of Illinois. He is a trustee emeritus of the Phillips Collection in Washington, where he was founding director of the Center for the Study of Modern Art. He is the author of several books, including Art since 1940: Strategies of Being.

Tab Content 6

Customer Reviews

Recent Reviews

Countries Available