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Author:   Ana-Maria Herman (University of Greenwich, UK.)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.500kg
ISBN:  

9781032509181

ISBN 10:   103250918
Pages:   254
Publication Date:   22 April 2025
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

List of figures; List of tables; List of contributors; Introduction: What is mobile heritage?; 1.No freedom, no honour: Red Dead Redemption 2 and heritage as procedural rhetoric; 2. Museum pieces or stealing the show? NFTs and the story of cinematic heritage in fragments; 3. Digital Mobilisation a just restitution? The transfer to Ethiopia of digitised manuscript copies by the British Library; 4. Open Cabinet: Critically Contextualising Contested Heritage through Augmented Reality; 5. The use of drone technology in the restitution of conflict-affected heritage: the case of Vila do Ibo, Mozambique; 6. The museum response to the Art NFT: reinventing (digital) collections and the promise of economic mobilities; 7. Coffee with a Codex and #manuscriptASMR: Showcasing rare books as a heritage practice; 8. Reconstructing the Yi Identity Through Popular Music and Social Media in China; 9. Hybrid Spaces and Geolocative Mobile Apps for LGBTQ Heritage; 10. Mobile Realities Beyond Vision and Photorealism: On Collaborative VUser Explorations with Indigenous Heritage and the Use of Intelligent Contestation in Australia; 11. The Virtual Illés Initiative: Remediating Architectures of Information within a 3D, Real-time Visualisation of 19th Century Jerusalem; 12. Digital interventions in art world gender politics: The +Archive Gwen John app and the (im)mobilising power of copyright; Index.

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Author Information

Ana-Maria Herman is Associate Professor at University of Greenwich, UK.

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