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Author:   Russ Hepworth-Sawyer (York St John University, UK) ,  Jay Hodgson (Professor at Western University, Ontario, Canada.)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.703kg
ISBN:  

9781138182042

ISBN 10:   1138182044
Pages:   306
Publication Date:   16 January 2017
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Series Introduction Dedication About the Authors Acknowledgments Introduction Chapter 1: Exploring of the Mix: Historical milestones and expanded perspectives- Martyn Phillips Chapter 2: How to Listen, What to Hear- William Moylan Chapter 3: Proxemic Interaction in Popular Music Recordings- Ruth Dockwray Chapter 4: Top Down Mixing - A 12-Step Mixing Programme- Phil Harding Chapter 5: Mixing in the Box- Justin Paterson Chapter 6: Audio Editing In/And Mixing- Alastair Sims and Jay Hodgson Chapter 7: Pre-Production In Mixing: Mixing in Pre-Production- Dylan Lauzon Chapter 8: Between Speakers: Discussions on Mixing- Dean Nelson Chapter 9: Mixing for Markets- Alex Krotz Chapter 10: Mixing In/And Modern Electronic Music Production- Andrew Devine and Jay Hodgson Chapter 11: Groove and the Grid: Mixing Contemporary Hip Hop- Matt Shelvock Chapter 12: The Mix is. The Mix is Not- Robert Wilsmore and Christopher Johnson Chapter 13: Mixing metaphors: aesthetics, mediation and the rhetoric of sound mixing- Mark Marrington Chapter 14: Mix as Auditory Response- Jay Hodgson Chapter 15: An Intelligent Systems Approach to Mixing Multitrack Audio- Josh Reiss Chapter 16: How Can Academic Practice Inform Mix-Craft?- Gary Bromham Chapter 17: The dreaded mix sign-off: handing over to mastering- Rob Toulson Chapter 18: Conclusion: Mixing as part-history, part-present and part-future- Russ Hepworth-Sawyer Index

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Author Information

Russ Hepworth-Sawyer has been involved in professional audio for over two decades. Throughout his career, Russ has maintained a part time higher education role teaching and researching all things audio (www.hepworthhodgson.com). Russ is a former board member of the Music Producer’s Guild and helped form their Mastering Group. Russ currently lectures part time for York St John University and has taught extensively in higher education at institutions including Leeds College of Music, London College of Music and Rose Bruford College and has contributed sessions at Barnsley College. He has written for MusicTech Magazine, Pro Sound News Europe and Sound On Sound plus has written many titles for Focal Press/Routledge. Dr. Jay Hodgson is Associate Professor Music at Western University, where he primarily teaches courses on songwriting and project paradigm record production. He is also one of two mastering engineers at MOTTOsound — a boutique audio services house situated in England, and now Canada. In the last few years, Dr. Hodgson has worked on records nominated for Juno Awards, which topped Beatport’s global techno and house charts, and he has contributed music for films recognized by the likes of Rolling Stone Magazine, and which screened at the United Nations General Assembly. He was awarded a Governor General’s academic medal in 2006, primarily in recognition of his research on audio recording; and his second book, Understanding Records (2010), was recently acquired by the Reading Room & Library of the Rock and Roll Hall of Fame.

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