Overview

This book is the first major study of the theme of misanthropy, its history, arguments both for and against it, and its significance for us today. Misanthropy is not strictly a philosophy. It is an inconsistent thought, and so has often been mocked. But from Timon of Athens to Motörhead it has had a very long life, vast historical purchase and is seemingly indomitable and unignorable. Human beings have always nursed a profound distrust of who and what they are. This book does not seek to rationalize that distrust, but asks how far misanthropy might have a reason on its side, if a confused reason. There are obvious arguments against misanthropy. It is often born of a hatred of physical being. It can be historically explained. It particularly appears in undemocratic cultures. But what of the misanthropy of terminally defeated and disempowered peoples? Or born of progressivisms? Or the misanthropy that quarrels with specious or easy positivities (from Pelagius to Leibniz to the corporate cheer of contemporary `total capital`)? From the Greek Cynics to Roman satire, St Augustine to Jacobean drama, the misanthropy of the French Ancien Regime to Swift, Smollett and Johnson, Hobbes, Schopenhauer and Rousseau, from the Irish and American misanthropic traditions to modern women`s misanthropy, the book explores such questions. It ends with a debate about contemporary culture that ranges from the `dark radicalisms`, queer misanthropy, posthumanism and eco-misanthropy to Houellebecq, punk rock and gangsta rap.

Full Product Details

9781474293167

Table of Contents

Reviews

Gibson's new book is astonishing. Misanthropy - as mood, as logic - yields brilliant readings of the cultural and historical circumstances in which a specific attitude or misanthropic moment changes and turns the order of things. The book offers, with a magisterial command of a remarkable range of literary and cultural history, a brilliant engagement with the literary modulations of modernity. It is among the most original books I have read. -- Thomas Docherty, Professor of English and of Comparative Literature University of Warwick, UK Misanthropy is elegant, irresistibly humorous, and genuinely informative, on a subject which has a most fascinating history and, as Gibson shows, is also pressingly relevant for the here and now. Accessibly written and eminently readable Gibson's is a mature critical voice, learned, intelligent and lucid, provoking and enlightening the reader at every turn. -- Jonathan Dollimore

Gibson's new book is astonishing. Misanthropy - as mood, as logic - yields brilliant readings of the cultural and historical circumstances in which a specific attitude or misanthropic moment changes and turns the order of things. The book offers, with a magisterial command of a remarkable range of literary and cultural history, a brilliant engagement with the literary modulations of modernity. It is among the most original books I have read. -- Thomas Docherty, Professor of English and of Comparative Literature University of Warwick, UK

Gibson offers readers an enriching, insightful discussion of topic to which few have dedicated such energy. In the end, he does not offer his own conclusion but fittingly leaves it up to readers. * CHOICE * Gibson's new book is astonishing. Misanthropy - as mood, as logic - yields brilliant readings of the cultural and historical circumstances in which a specific attitude or misanthropic moment changes and turns the order of things. The book offers, with a magisterial command of a remarkable range of literary and cultural history, a brilliant engagement with the literary modulations of modernity. It is among the most original books I have read. -- Thomas Docherty, Professor of English and of Comparative Literature University of Warwick, UK Misanthropy is elegant, irresistibly humorous, and genuinely informative, on a subject which has a most fascinating history and, as Gibson shows, is also pressingly relevant for the here and now. Accessibly written and eminently readable Gibson's is a mature critical voice, learned, intelligent and lucid, provoking and enlightening the reader at every turn. -- Jonathan Dollimore

Author Information

Andrew Gibson is Research Professor in Modern Literature and Theory at Royal Holloway, University of London, UK, where he still teaches part-time. He is a member of the Conseil scientifique of the Collège international de philosophie in Paris, France.

Tab Content 6

Countries Available