Overview
The neurological condition synaesthesia (the mixing of the senses) has for over a century provoked thought about new ways of artistic seeing. In 'Mirror-Touch Synaesthesia: Thresholds of Empathy with Art', a recently discovered manifestation provides a lens through which to re-examine contemporary art experience. People with mirror-touch synaesthesia feel a physical sense of touch on their own bodies when they witness touch to other people and often to objects. The condition is a rare yet recognizable form of heightened physical empathy: present in just 1 in 75 people, it is associated with an overactivation of the near-universal mirror (neuron) system. Mirror-Touch Synaesthesia places mirror-touch, a social synaesthesia, at the center of dialogue between neuroscience, the humanities, and contemporary art theory and practice in order to explore, for the first time, its powerful potential as a model for the embodied and relational spectatorship of art. Mirror-Touch Synaesthesia brings together essays and conversations by prominent neuroscientists, anthropologists, artists, art theorists, curators, film theorists, and philosophers, as well as mirror-touch synaesthetes, and through proximity, and cross-disciplinary dialogue, dissolves barriers not only between disciplines but between theory and experience. Essays and conversations find common ground not only in quantitative but also qualitative accounts of mirror-touch; the editor has conducted the first set of in-depth, semi-structured interviews with mirror-touch synaesthetes, which is available in excerpted form in the volume's appendix. This collection of thirteen conversations constitutes a performative project at the boundary between art and science that invites contributors to reconceptualize the ways that artworks invite us into relational, co-constitutional forms of spectatorship. Critically refiguring arguments about the 'social turn' in contemporary art that reject the traditional viewer as passive, Mirror-Touch Synaesthesia expands the possibilities of what art we might call 'participatory', and enriches debates around the social agency of perception. In these essays, the blurred thresholds in mirror-touch between sight and touch, and between self and other, are redrawn for an interdisciplinary readership as newly sensitized boundaries between image and action, art and life.
Full Product Details
Author: Daria Martin (Ruskin School of Art, University of Oxford, UK, Ruskin School of Art, University of Oxford, UK, Professor of Art)
Publisher: Oxford University Press
Imprint: Oxford University Press
Dimensions:
Width: 18.40cm
, Height: 2.40cm
, Length: 25.90cm
Weight: 0.956kg
ISBN: 9780198769286
ISBN 10: 0198769288
Pages: 400
Publication Date: 28 September 2017
Audience:
Professional and scholarly
,
College/higher education
,
Professional & Vocational
,
Postgraduate, Research & Scholarly
Format: Hardback
Publisher's Status: Active
Availability: To order
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.
Reviews
Mirror-Touch Synaesthesia, in bringing together leading neuroscientists, artists, philosophers and experiencing synaesthetes, is of equal importance to the fields of science and the humanities, shedding new light on in-feeling (empathy) and its vital relevance to contemporary life and culture. The book reminds us of how, even in our period, which is characterised by accelerated scientific discoveries, cross-disciplinary exchange and the contribution of artworking and philosophy to science and its methods, in this case to neuroaesthetics, is increasingly crucial and far-reaching, leading to implications for future research in terms of social, cultural, and ethical critique. * Bracha L. Ettinger, artist, psychoanalyst, philosopher, author of The Matrixial Borderspace and And My Heart Wound-space *
Introducing a new, and hotly contested form of synaesthesia. Featuring a sparkling, and august cast of commentators, with chapters that scale from first-person testimonies to the heights of aesthetic theory. Might mirror-touch synaesthesia reveal something about the roots of human empathy and creativity? Does it hold the key to art? This book blows hot and cool! * David Howes, Director of the Centre for Iinterdisciplinary Studies in Society and Culture, Concordia University. Co-author of Ways of Sensing: Understanding the Senses in Society *
Author Information
"Daria Martin, artist, has researched mirror-touch synaesthesia since 2008 and made it the centre of three films: Sensorium Tests (2012), At the Threshold (2014-2015), and Theatre of the Tender (2016). Martin's films, which have been exhibited around the world, aim to create a continuity between disparate artistic media (such as painting and performance), between people and objects, and between internal and social worlds. Solo exhibitions include ACCA, Melbourne; Museum of Contemporary Art, Chicago; the New Museum, New York; the Hammer Museum, Los Angeles; Kunstalle Zürich; and Tate Britain. Martin is currently Professor and Head of Artistic Research at the Ruskin School of Art, University of Oxford. : In 2018 she won the Film London Jarman Award for ""creating an eclectic and expansive body of work that has explored everything from dreams and mythology to technology and feminism""."
